Milestone anepígrafo from Pindo, arches, later being transferred to the school garden of deer. It is a medium-grained granite cylinder the rude, well cut out about one meter tall. Was fractured at the top, where there seem to be traces of letters. It is believed that signaled the Via XVII of the Antonine itinerary, which connected Bracara Augusta (Braga) to Asturica Augusta (Astorga) through Aquae Flaviae (Keys).

Large church with main façade flanked by towers with pyramidal and prismatic spires protruding in the lateral façades little foothills. Features vaulted nave, divided into five sections by torais arches, chancel and side chapels with cannon vaults simple. Simply decorated in the facade inside, only contradicted by the exuberance of azulejar. The classification includes the carving retables and tiles from the 17th century ("carpet") q

Is a temple of three naves with wooden cover to form cross with the ribs painted, separated by arches full on pillars of quadrangular section. The choir-high is about pilasters, with wooden balusters and subcoro painted with representation of hell, celestial Court and others. Enhancement for the altarpiece in talha, from 1719. It should be noted that the classification includes all elements that are part of the set of sanctuary of pilgrimage and the place in which they deploy.

This is the main church of Pontével, a town located about five kilometers from the municipal seat. It is believed to have been founded in 1302 and has been rebuilt several times, most recently in the 17th century. Some of its most distinctive features are the three bronze bells, with intricately worked edges, in its bell tower, as well as the late 16th-century tiles and the baptismal font.

This is an ancient cemetery with four types of tombs: bathtub-shaped, triangular, anthropomorphic, and carved into movable stones. Near these graves is the Penedo do Sino, a pedunculated granite block, shaped by weathering, and well-known for its strange and beautiful balance. This site was occupied between the 1st and 2nd centuries and later between the 12th and 13th centuries, although it is believed that this necropolis dates from the 6th to the 14th centuries.

A core composed of figures engraved in granite, representing two opposing bovids and a sequence of four bovid heads pointing toward the ground, which are associated with schematic paintings from recent prehistory. Certain painted lines add unengraved details, suggesting the hypothesis that some of the elements are Paleolithic. It is a UNESCO World Heritage Site (1998) and a National Monument by IGESPAR, part of the Côa Valley Archaeological Park.

This is one of the rock art sites in the Valley of the Coa, forming a rare set of this type of art, essentially composed of stone engravings dated from the Upper Paleolithic. This core consists of two rocks that have support writing of filiform reasons. On the left bank of ribeira is a vertical panel in shale showing how central motif equidae, while on the right bank can observe various Zoomorphic representations.

Former residence of archbishops, Palácio da Mitra or Palácio dos Arcebispos is a 16th-century building in the shape of a "u", which features typical Portuguese tiles in the rooms, also characterized by the thematic decoration of the time (representations of rural scenes, seasons or cooking). The church was completely rebuilt in the 16th century. The statues that decorate the interior rooms of the palace are from this period, as well as the monumental fountain, in Baroque style.

The construction of the primitive church was initiated at th end of the 17th century. Considred insufficient for all the faithful that came by, it was enlarged from the middle of the 18th century until the first decades of the 19th century, at which time the façade was finished. The tiles on the walls of the main chapel and the vault, reconstructed after the earthquake of 1755, are of the 18th century. One should pay close attention to the interior with rococo sculptures.

Setúbal was once surrounded by two belts of walls. The first, called Muralha Afonsina for being constructed during the reign of King D. Afonso V, traced out the boundaries of Setúbal. This wall was made to protect this fishermen community from the attacks of pirates. The second wall was constructed during the reign of King D. João IV and was made to protect the village that expanded outside the first walls.