A park with 26 hectares, located at the top of Avenida da Liberdade. Its current configuration is by Keil do Amaral (1945). It has a central strip covered with grass, flanked by a sidewalk in Portuguese pavement. Here you can also find various sculptures, a viewpoint, esplanade and a lake. Also noteworthy is the Estufa Fria, with a great diversity of plants from various parts of the world. There is also the Carlos Lopes Pavilion, used for conferences and concerts.

Located 25 kilometers from the town center is this monument of probable Arab origin. Rebuilt after the 1531 earthquake, it features an interesting sculpture above the main gate, where three castles and an eagle are visible. After assuming great defensive importance, it lost its usefulness over the years, and only between 1941 and 1954 did it undergo renovations that gave it its current appearance, with two towers. It served as a prison during the Middle Ages.

In the center of the Beira Alta and running since 1962, the Balneario Termas de Alcafache Sulphurous has undergone a constant growth and process improvements, always attempting to offer a higher quality and comfort. These spas are a little paradise protected from pollution and stress of cities in a 100% ecological environment. Here it is treatment of musculoskeletal diseases, rheumatic, respiratory and endocrine-metabolic. Also has a thermal SPA wine therapy and seaweed treatments and programs for face and body.

These hot springs are set in a setting of great natural beauty, in addition to their historic surroundings. Dating back to Roman times, these hot springs are steeped in history. For example, in 1169, Dom Afonso Henriques sought relief from his ailments in the ancient springs of Lafões. Over the centuries, other important figures have resorted to the hot springs, including the last Queen, Dona Amélia. Rheumatic, respiratory, musculoskeletal, and blood diseases are treated here.

Located in the historic area of Castelo Branco, this museum dedicated to the work and life of the artist Manuel Cargaleiro includes two buildings that complement each other. One is Solar dos Cavaleiros, an 18th-century palace, and the other is a contemporary building, inaugurated in 2005. Visitors can appreciate a remarkable set of works part of the Manuel Cargaleiro Foundation collection, which includes works ranging from painting to ceramics, including sculpture, tiles and tapestry.

Installed in the cellar Widow Gomes, in Almoçageme, this museum was created to preserve the techniques of planting vines in sandy soil, a characteristic of the Colares wine, as well as the traditions combined with the beverage production, including the use of caste "Ramisco". It should be noted that the demarcated region of Colares has existed since 1908, although the tradition wine area reassemble the 1225, when King Afonso III made the donation of Reguengo of Necklaces, forcing plant vines there from France.

The museum of religious art is located in the hermitage of São Sebastião. This hermitage was originally built in the 16th century and went through an important architectural renewal in the first half of the 18th century. The museum has an important collection from the churches of the parish of Albufeira. Among the exhibited works, a special note to the polychrome retable of the second half of the 18th century, where we can see three images: Saint Sebastião, Saint Francisco Xavier and Saint Domingos.

Resort of 43 modern and well equiped apartments. Located in a quiet area, near the golf greens and about 900 meters from the beach. It has an open air swimming pool with a snack-bar. There are 20 T1 apartments (3/4 people), 11 T2 apartments (2/6 people) and 12 T2 duplex partments (2/6 people), all with a bathroom, restroom, a convertible settee, satelite TV, telephone, safe and kitchen.

Mannerist parish church. Presents longitudinal plant composed of ship alpendrada and chancel and vestry and belfry adossados to side front left and right, respectively. The altarpieces are carved polychrome, which extend through the triumphal arch, the national Baroque style. The building also features vestments in masonry, except the chancel and the main façade. The interior shows intense painting on wood decor and talha and the toppings in caissons are hagiographic theme and scenes from the life of Christ.

Built in the 16th century in the place of a hermitage where the sailors went to pray, it was deeply modified after the earthquake of 1755. The main chapel is decorated with a panel of the end of the 17th century, which belongs to the experimental baroque epoch. A stone image of Nossa Senhora da Esperança and yet another image of Santa Ana, credited to the sculptor Machade de Castro, ar part of this church's assets, that also includes paintings and images from several convents.