Is one of the four doors of the castle of Évora Monte and is oriented to the West.

It has a square shaft topped by capital, ornate with Angel’s heads which sustain one incomplete sphere.

One of the main doors of the Castle, oriented towards the Hermitage of s. Brás. Retains the supporting structures of cannons.

Donjon of the castle of Estremoz, with 27 feet high, built of white marble. It is thought that it was a work that went through three reigns: d. Afonso IV, d. Pedro and d. Fernando and it was the latter who designated it "Tower of the three crowns", the name by which this tower is known.

Old beatério of very simple construction, without ostentation and with a church without façade facing the street. It was founded by testamentary disposition of d. Joana de Azevedo Mourão Castelo Branco, widow of Fernão Vaz Strain.

It was in the course of an urban reorganization process, in the late 18th century that these Steps were built by the military engineer José Álvares de Barros. Inside you can see a brutal white marble staircase and black, plus rooms with ceilings painted. The tiles from the Factory Widow Lamego representative of the battle of Montes Claros is 20TH century.

Palace built by Councillor José Victorino Zuzarte Coelho da Silveira, with interior decoration highly sponsored by owner José Maria Silveira Menezes, in the second half of the 19th century. Here were the illustrious figures dinner as d. Fernando and d. Augusto, after a visit to the battlefield of Montes Claros. Here also lived the poet Humberto da Silveira Fernandes region. Today is a building of guardianship of the Holy House of mercy, rich interior, which includes furniture, tapestries, and decorative arts of 800.

The early Church dates from 1260 and was founded inside the castle of Borba and was delivered to the military order of Avis. However, in 1420, was built this church, where it is currently, by coming near the Virgin Mary. In its interior there are ten chapels, each belonging to a fraternity, with heritage of the seventeenth and eighteenth centuries, with emphasis on the Chapel of souls, composed of three marble altars.

17th century construction, with Church of a ship, the altars with gilded arches and marble, the choirs, the 17th-century tiles and iron railing. The cloister is of two floors with arches in masonry, back perfect.