Working composed by the church body, single nave, transept and main chapel, vestry, annex and conventual rooms. At the main chapel stands out the rococo carved retable, semicircular vault with perspective painted wood ceiling, representing Nossa Senhora do Carmo and a set of four paintings from José Rasquinho, representing the life of Santo Elias. At the Convent stands out the main façade, with three bodies, three panes delimited by pilasters, angles and ashlar mansonry cyma, with three interspaces for each floor.

The church, a fifteen hundreds foundation was remodelled on the 17th century. It presents a “pattern” glazed tiles panel, the pulpit and the barrel ceiling with empty coffers. From the medieval period stands out the ogival arches from the transept chapels recovered with glazed tiles from the 17th century and two Gothic tombstones. It also stands out two holly water fonts, both of them from the fifteen hundreds. From the Gospel side there is one chapel dedicated to Our Lady of Rosário with golden carving altarpieces.

One of the best known streets in the village, in the heart of the Historic Center of Ponte de Lima, which on party nights becomes a kind of open-air disco, where bars serve drinks and music comes out everywhere.

This chapel exists since the XV century and, at the façade, a curious XVIII century niche stands out, with the images of Nossa Senhora da Silva, São João Baptista and São Baldomero. Gay colours appear at the windows and doors.

4 star unit with 97 rooms, located opposite the National Stadium and next to the modern business polos Tagus Park and Ponds Park. Stands out for its vocation in the hosting business and strong market positioning of sport.

Medieval source on granite, with rectangular water box, flanked by another tank that served as a watering hole for animals. The inscription that can be seen in front, "1818", is referring to the reforms carried out. Access to the interior of the source is made by steps.

Cruise where stands out the ornament of the faces of the plinth with the typical bat wing Rococo, and the quality of capital and of the image of Christ crucified. The figure is represented with great detail and anatomical concerns: long hair, beard and overlapping feet.

Built by J Pietro, is an exemplary typically art-new, dating back to 1906. Enhance the decorative elements that decorate the façade. In this, pointing out the window of the first floor, entered a Chamber reentrant, as well as work on the iron railings.

Bust of Boss Joaquin Lopes, inaugurated in 1976, where you can read some verses of Tomáz Ribeiro. Stood out for being Boss of saves lives, having saved many lives in Barra do Tejo.

Founded during D. João I Kingdom, it presents one façade from the first half of the 17th century in Jesuitical style. On the main chapel altar it stands out the altarpiece in fifteen hundreds stone with Christ Supper.