Formerly a dependency of the Arouca Monastery, to receive conventual income, Casa da Tulha is part of the Municipal Museum, being its current museum nucleus. The inscription, of 1760, places its construction in the 18th century. With an interesting general appearance, it is the portal – topped by fires and a cross – that takes center stage in this architectural piece. Visits to Casa da Tulha must be booked at the Municipal Museum.

This House, dated 1794 (date inscribed in a portal of entry), has this designation due to having been headquarters of the Portuguese Legion. Later, worked as a place of meetings of the parish and, on the second floor, as ballroom. After being abandoned for 30 years, was rehabilitated in 2002 and opened to the public in 2005. Has a games room, a wine cellar\/tasting room, two terraces and an interior patio.

The church was built in the 16th century and later expanded and restored in the 18th century. This reconstruction was necessary due to the devastation caused by the earthquake known as Mandado de Deus (Mandate of God). The majestic façade features a portal, three large windows, and two oculus windows, not to mention the bell tower, atypical for the island's architecture. Inside, the gilded carvings and numerous paintings stand out.

No one knows for sure the construction date of this church, knowing only that already existed in 1321. The current building, however, dates from a renovation later, probably from 1788. Features an elongated plan with a single nave, a Bell Tower and a rectangular chancel. On the façade is the straight lintel portal framed by pilasters and, inside, some gilded altarpieces and the wooden ceiling with the inscription of 1788.

Small dimensions temple that we can include already in the Gothic period, although of possible previous foundation. Simple façade, where a portal with a broken arch opens, with two archivolts, the interior being decorated with spheres. Despite the sobriety of the building, with few spans and heavy verticality, the interior features one of the most important mural painting from the 15th century preserved in Portugal.

This set includes the chapel, a fence, and the Freamunde Hospice house. It's a 19th-century building, typical of the large confraternities of the time. The chapel is triangular, as is the chancel, which is carved and has two niches flanking a painting. This ensemble is Baroque, but the carving has Neoclassical characteristics. The main façade has a straight-lintel portal. The chapel, the hospice, and the fence form a triangular plot. It was built in 1737.

This is a Mannerist convent with a church in the shape of a Latin cross, a single nave, and a two-story cloister. Due to its characteristics, it fits into the typology of the monumental 17th-century churches of classicist and erudite style in the Porto region. The tilework in the chancel and transept is also from the 17th century, and the main altarpiece is Baroque, in the National Style, with Baroque side altarpieces from the time of King Pedro II, at the turn of the 17th and 18th centuries. In the center of the convent courtyard there was a Baroque fountain, …

Luís Mourato followed in his father's footsteps, first as a pitchfork and now as host of the family's restaurant, which has been in existence for more than 30 years. A tribute to the bullfighting universe, the references are not limited to the decoration. The menu, where beef predominates, specialises in this matter with grilled kebabs and bull tenderloin. The stewed venison with migas is another of the house's signature dishes, along with the roasted suckling pig with wild mushroom rice. Accompany it with a wine from the region (the menu is extensive and exclusive to the Alentejo) and finish with …

Considered the largest archaeological crypt in the country, it is located beneath the Castle of Alcácer do Sal, now transformed into the Pousada D. Afonso II. It presents traces of the Iron Age dating from the 6th century BC, as well as structures from the Roman period and the Islamic occupation, covering a considerable area. Medieval walls from the post-Reconquista Christian era were also found, based partially on Roman walls which, in turn, overlap older pre-existing structures dating from the Iron Age.

With a cuisine based on the best flavors, Chef Diogo Rocha continues to discover local products that have almost disappeared, such as hazelnuts or apples from Bravo Esmolfe, which he masterfully incorporates into the menus. The menu is also the stage for the parade of wines produced in the vineyards that enter through the windows of the almost indescribable building designed by the Carvalho Araújo studio and whose interior design was in charge of Nini Andrade Silva. Diogo Rocha's cuisine, supported by an ambitious and new team, is a breath of fresh air capable of appealing to all the senses, …