Go down the Avenida da Liberdade and go to the discovery of the historic center of the city. Here, there are many points of interest. In Restauradores square stands the majestic Foz Palace, neoclassic, and the facade of the old Cine-Teatro Eden, of modernist trait. The Rossio is the Teatro Nacional d. Maria II and the statue of Dom Pedro IV. Already in the middle of the Baixa Pombalina, venture into the Web of geometric streets that make up the urban set built after the earthquake of 1755. Then, head to the slope of the Cathedral and visit the Church …

Located on a limestone elevation, this castle has a keep dating from the time of Dom Dinis, which stands out for its volume. It was after the reconquest from the Moors that King Dinis had the castle completely remodeled, which had housed the Moors for 400 years. Later, King João I ordered the fortress to be expanded, but the War of Succession and the 1755 earthquake contributed to its state of ruin. On the southeast side there is an elbow-shaped entrance portal and a vaulted tunnel. Next to the castle there are ruins of the Convent of the Dominican Nuns …

The chapel in the village of Sapelos, dedicated to Santo Amaro, is a temple in granite, rectangular plant oriented Northeast\/Southwest. The main façade has a round arch portal surmounted by a telescope, the gable ends with a cross. Inside the Chapel, the floor, once paved with granite graves tops still boasts the separation guides. This chapel has three altars: the high altar in gilt profusely worked, and two side altars that are home to religious imaginary. One of the side altars has two painted panels. This is the chapel which is celebrated the mass of the feast in honour of …

Chapel dedicated to St. Anthony, on the main façade has a portal flanked by two rectangular cracks in the stretch and horizontal gable a slender Bell Tower surmounted by a cross. The stones of the temple carry the marks of the successive additions and interventions to which it was subject throughout the ages. The growth of the community, led to the expansion of space and the arch, which once was the main port, today lies within Chapel marking the transition between spaces. Inside this Chapel, stripped of superfluous adornments granite, stands out the headboard where, inserted into one niche with …

The chapel of Romaínho, built on a rocky outcrop at the entrance to the village, is dedicated to St. Joseph. It is a granite building, of rectangular plan, oriented Southeast\/Northwest, with a porch supported by columns. The main façade has a rectangular portal, with frame in relief, flanked by rectangular Windows, also with frame in relief. The lintel of the door contains inscriptions: "MARIA IOSEPH IESVS\/SAVE TIESVM LENEDITVM\/REGINAE ERVCTVM ... NOBIS POIoICEXI IVMOS ENDE ". The stretching of the gable has a Bell Tower, decorated with volutes, crowned with a Latin cross. Inside this Chapel stands the high altar in …

Pequena e pitoresca capela de planta retangular, alçados em cantaria de granito e alpendre aberto apoiado em quatro colunas de decoração dórica. A fachada principal é rasgada por portal em arco de volta perfeita e, do lado direito, por uma janela quadrangular. Na fachada lateral direita, orientado a leste, destaca-se um campanário, em forma de triângulo, rematado por uma cruz em pedra. No interior, destaca-se um retábulo em madeira pintado e dourado.

15th century monument built by Dom Afonso, Count of Barcelos. Large building, with four bodies that surround an interior courtyard with a rectangular plan. This construction occupied the place of the old palace of the Leonese kings. Much changed over the centuries, it was recently restored. Noteworthy are the Gothic chapel portal, the "lost steps" and the banquet hall. It has a museum where the four copies of Pastrana tapestries, which narrate some steps of the conquests in Africa, the core of Flemish tapestries, Portuguese furniture from the post-discovery period and also porcelain and weapons from the 15th to the …

16th-century temple with octagonal plant in main body, chancel and vestry. Is semicircundado by a porch. Highlight a Manueline portal and tile historian of the 18th century. The nave is surmounted by a balcony with shots at the vertices of the Octagon; the domed cover is topped by a weather vane with the cross. The door of the chapel of verga and door jambs with Manueline decoration rips in front of the high altar. The altar is surmounted by three niches, one with the image of Saint Gregory Nanzianzeno. In the chancel are the enxaquetados tiles and white beaded the …

A Romanesque monument, one of the oldest in Portugal. Of the Monastery, only the Church, the chapter house, and the pre-Manueline cloister remain after centuries of decay. The semi-warlike appearance of the convent church, with its crenellated side tower, thick walls, and the giant flanking its portal, gives it a religious and, at the same time, defensive function. Inside, the highlights are the depth and height of the nave, as well as the robustness of the granite vault of the chancel and the well-preserved tomb chests of noble knights. Also noteworthy is a vestige of a mural painting representing St. …

In one of the highest parts of the Francisco Gomes Square, where there's a garden with a view to a small marina, one can find the Arco da Vila (Village Archway), which is the entrance to the old Faro inside the medieval walls. Above the walls, one can see the small chapel of Our Lady of the Ó. Following the Município Street one reaches a nicely proportioned square where the see is to be found. It's worth to look attentively at the Bishop's Court with its rooftops shaped like scissors. As you stroll along the streets by the walls, you …