The Marquis, the Avenida da Liberdade, Baixa and Bairro Alto are right there at your fingertips. One of the advantages of staying if installed right in the heart of the city is to have all around, in addition to the accessibility facilitated by the urban transport network right outside the door. The HF Fénix Lisboa is a space of great comfort, where it feels good to spend time. In addition to the offer of rooms for different tastes and needs, the Hotel Fénix Lisboa has great social and recreational areas such as City Garden Lounge. At all points of the …

Located in the centre of Caldas da Rainha, a short distance from Óbidos, the new SANA Silver Coast Hotel offers a privileged location, in the centre of Portugal. With 80 rooms and 8 suites, restaurant, bar, café with outdoor terrace and 2 meeting rooms, the newest hotel in Caldas da Rainha will be a reference point in the western centre of Portugal, offering different solutions for accommodation, meetings and events. Fully rebuilt to cater to today’s guest needs, the hotel has maintained the original 19th century façade while its newer interiors and elegant décor recreate the history of a hotel …

Convent founded by D. Afonso V, its current appearance is the result of the various modifications it has undergone. It has a Gothic portal, which includes bas-reliefs in a flamboyant style. The cloister mixes Gothic and Manueline elements, the pulpit is Mannerist and the altarpieces are Baroque in style. The space around the convent fence stands out, given the botanical value of its forest.

Seventeenth-century chapel which originally belonged to a group of buildings of the Oratory of Saint Catherine, designed by Fr. Andrew of San Bernardino. The façade has straighter Dick portal surmounted by high window of appliance rusticated and finished in triangular pediment and a small bell. Inside, the gilded altars, a pulpit from the 17th century, and a few pieces of eighteenth-century imaginary.

Chapel dating from the 16TH century or 17TH CENTURY, with a main facade gable is terminated, at the top, with an ornate Bell with a small cross. Also features a straight Dick portal, flanked by a gap where a niche that houses a sculpture of Santa Ana, San Joaquin and our Lady Girl. Inside stands a gilded altarpiece, framed by two Solomonic columns.

Religious architecture, vernacular. Chapel of longitudinal plant simple, single space, with homogeneous coverage in fake wooden barrel vault. Main facade with the torn spans in axis composed of portal, flanked by Windows, and by small telescope. Facades topped off in cornice, the left lateral torn by door transom. Interior with reredos neoclassical chancel. Round Arch of moth 1500s.

The primitive foundation of the Church of Saint Pedro dates back to the 17th-18th centuries and has three naves with with an arch that stood on columns. Totally destroyed by the earthquake of 1755, only vestiges of the old portal on the facade remain. A special not to the high altar with a magnificent golden carved baroque retable and a painting that represents Saint Peter receiving the Heaven's Keys from Jesus.

18th century Church of longitudinal plant consists of a wide nave and a narrower chancel, a Bell Tower located near on the right and a sacristy and annexes adossados on the left. It was built in the 16th century and remodelled in the 18th century. Emphasis on the exterior door of the sacristy, 16th century; for the 17th century main portal and for stone grave cover with engraved inscriptions, 17th century.

Manueline building with Mudejar influences, designed by Diogo Arruda. The church features a wide nave with a small apse flanked by two apsidioles. The main façade features a wide Manueline portal and a small openwork window with a round arch. It is decorated with 18th-century murals. Inside, the church is structured in three naves of five bays, with the apse almost embedded in the wall.

It used to be a part of the Convent of Saint Domingos, estroyed by a fire at the beginning of our century. The façade has a renaissance composition that circles the portal, which is sided by columns with chapiters. Between th columns there are two sculptures representing the Apostles. The interior has only one nave. A special note to the tomb of the Archbishop frei Bartolomeu, of 1590, who promoted the convent's construction.