Bathed by the Douro River, Bitetos River Beach was once a mandatory stopping point for rabelo boats. With a pier, it serves as a stopping point for vessels and frequently hosts power boating, canoeing, and waterskiing events.

Founded in 875, the Soalhães Monastery was donated to the bishop of Porto by D. Sancho II in 1267, and likely became the main church shortly thereafter. Remodeled in the 18th century, the Church of Soalhães retains its medieval main portal. Inside, it houses an interesting collection of tiles and carvings.

The Church of Santa Maria de Sobretâmega is a late medieval building that, however, retains a Romanesque flavor unique to this region. The location of this church, which replaced the parish church of the former parish of São Pedro de Canaveses, was an initiative of Queen Mafalda, founder of the inn and the bridge of Canaveses. In fact, it was the construction of the bridge itself that prompted the church's new location.

A museum dedicated to the famous singer and actress Carmen Miranda, who was born in Marco de Canaveses. It comprises three spaces: a museum collection area, the Art Space, dedicated to temporary exhibitions, and the Carmen Miranda Room.

Gravity dam located on the Tâmega River, 3.5 km from the confluence of the Tâmega with the Douro.

Gravity dam on the Douro River, surrounded by forested slopes and large boulders. Fishing and surfing are permitted, with restrictions. Boat use is permitted.

Located on the south bank of the Tâmega River and bordering Santa Maria de Sobretâmega, the Church of São Nicolau, next to the old Canaveses Bridge, displays a late design within the context of Portuguese Romanesque architecture, evident in its column-less, capital-less portals and plain corbels. This church preserves, though very fragmented, important remains of mural painting from the 16th and 17th centuries.

Protohistoric settlement with fortifications. Features an excavated pre-Roman bathhouse and Roman baths, a forum and possible temple, necropolis, wine press, and tombs.

A temple of Romanesque foundation, it retains little of its original design. Inside, the Baroque carvings on the altars and the tombs dating from the 14th and 15th centuries are noteworthy.

Set of sculptures carved into the rock.