This church was probably built on the 15th century and it is composed by a longitudinal plan. It possesses one nave, a narrow and high main chapel, a sacristy and a bell tower. On the inside it stands out the altarpiece in golden carving on the main altar and on the outside for the campanile.

Church with a longitudinal plan comprising nave and chancel, transept, side chapels and sacristy. On the main facade, the full-arch portal stands out with voussoirs and imposts decorated with semi-spheres, a cross in relief and a bell tower with two windows.

In this building, also named Casal Monserrate, the main entrance, in art déco, and the great decorative riches of the kitchen's furniture stand out. In the well taken care of gardens, a special note to the tile panels and the sculptures by Leopoldo de Almeida.

17th century church with a Latin cross plan with three naves, main chapel, sacristy and annex. The altarpieces of the Immaculate Conception, Saint Ignatius of Loyola, Our Lady of the Rosary and Saint Bonaventure stand out, next to the main altar.

Façade decorated with a portico sided by emblems, with three windows ended by curve fronton where the granite images of Keen Santa Isabel, São Francisco and Santo António stand out. Inside are worthy of notice the XVII century oils.

The facade features a Romanesque portal with three archivolts with a full arch, decorated with angels in relief on columns with carved capitals. Two niches, with three images, flank the portal. Inside, 16th century frescoes and gilded altars stand out.

Characteristic temple from the end of the XVIII century, covered with azulejos (tiles) on the exterior. The front is sided by two strong bell towers and ended by a high curved fronton. Inside, the carvings, the paintings, the sculptures and the main altar stand out.

Parish Church of longitudinal plant consisting of a nave, a chancel narrower and a sacristy and a Bell Tower adossadas. Features of Mannerist and Rococo architecture. Inside, much adulterated, stands out the chorus-high wood and the triumphal arch back perfect.

This baroque temple construction was ordered by the abbot Afonso de Meira Carrilho on the XVIII century. It stands out its sculpture from the Saviour, an oeuvre done by the Master João Alves, dated from the XIX century and for the baptismal font.

Religious monument composed of nave, chancel, vestry and attachments. The simplicity of the traces of this church is visible. Inside, the elements that stand out are: the pulpit, the Mannerist and Baroque carved altarpieces of the chancel and the altarpiece. The Bell Tower was demolished in the sixties of the twentieth century.