In this building, also named Casal Monserrate, the main entrance, in art déco, and the great decorative riches of the kitchen's furniture stand out. In the well taken care of gardens, a special note to the tile panels and the sculptures by Leopoldo de Almeida.

17th century church with a Latin cross plan with three naves, main chapel, sacristy and annex. The altarpieces of the Immaculate Conception, Saint Ignatius of Loyola, Our Lady of the Rosary and Saint Bonaventure stand out, next to the main altar.

Façade decorated with a portico sided by emblems, with three windows ended by curve fronton where the granite images of Keen Santa Isabel, São Francisco and Santo António stand out. Inside are worthy of notice the XVII century oils.

The facade features a Romanesque portal with three archivolts with a full arch, decorated with angels in relief on columns with carved capitals. Two niches, with three images, flank the portal. Inside, 16th century frescoes and gilded altars stand out.

Characteristic temple from the end of the XVIII century, covered with azulejos (tiles) on the exterior. The front is sided by two strong bell towers and ended by a high curved fronton. Inside, the carvings, the paintings, the sculptures and the main altar stand out.

This baroque temple construction was ordered by the abbot Afonso de Meira Carrilho on the XVIII century. It stands out its sculpture from the Saviour, an oeuvre done by the Master João Alves, dated from the XIX century and for the baptismal font.

Religious monument composed of nave, chancel, vestry and attachments. The simplicity of the traces of this church is visible. Inside, the elements that stand out are: the pulpit, the Mannerist and Baroque carved altarpieces of the chancel and the altarpiece. The Bell Tower was demolished in the sixties of the twentieth century.

This rococo church, dating from the 18TH century, stands out, inside, the neoclassical, with sobriety and polychrome carving without gold. On the throne the chancel altar you can admire a statue of our Lady of mercy, 18TH century work.

Built on the second half of the XVIII century, it was made in honour of Nossa Senhora do Terço, whose image was, until then, venerated in an oratory placed near the present church. On the main façade, the central window shaped as an aureole stands out.

Baroque palace with rectangular plant and three floors. In the upper floor stands out a mannerist portal headed with a coat of arms. It was built in the XVII century and suffered profound remodelling in the XVIII century. Nowadays it is occupied with some shops and services.