In this temple, which was the aim of many reforms through the centuries, it is worth to mention the lateral chapel from the 14th century, the Manueline main chapel with cruised arch decorated and the carving from the 17th and 18th centuries.

Temple with a ship that features Baroque and Mannerist style. Features, inside, side altarpiece in Baroque carved and neo-Baroque carvings. The altarpieces of the triumphal arch are of neoclassical style and the main altarpiece features Mannerist structure.

Church of longitudinal plan simple with a single space, a vestry located near and with homogeneous coverage of the gable roof. In the center of the main facade, there is a quadrangular Bell Tower. It was built in 1910, on the site of a previous Temple existed.

The main door has pilasters Tuscan marble and triangular pediment. The interior is of a nave and two aisles of five bays and perfect round arches. In the chancel is a carved altarpiece. XVII and four screens of the same era.

Temple of the provincial type, only one ship. Sports, outdoors, beautiful stonework that mark the corners, the copings, balustrade, and openings. Over the main door opens a wide window. Inside, there are still the altarpieces of the altars.

Combination of main building, home of the hydraulic machinery, workshops, home of the steam engine, warehouses, stamping building, Villa accommodation, houses, monumental staircase, fireplace, mother-of-water, engine House and guard House.

Building with Art Nouveau decor, erected probably in 1922 by architects Licinius and Francisco Pereira, painters of the New Source Factory. The name comes from the set of illustrative panels of the «four seasons», in the main façade.

There isn’t much left of the original temple, partially destroyed in 1740. Inside, the golden carving stands out. It has a portal with a triangular fronton, surrounded by pilasters on the main façade. Inside is a nave covered by a vault.

This church has one only nave with a bell ringer tower and it construction started in 1745. Here we ought to mention the altars, the baptismal font in grey and white marble and the main altar with classic outline.

16th-century temple where stands out the gate, with reminiscences of Manueline armillary sphere. Presents the ship covered by a barrel vault, being the triumphal arch covered in gilt and the main Chapel covered with a dome.