Isolated Church, of medieval Foundation in granite, consisting of chancel, nave, sacristy and Baptistry. Inside stands out: the foursquare pulpit, flanked by late-Baroque side altarpieces, reredos and chancel of gilt and polychrome national style. The belfry is isolated and has 2 records, being the top with Bell duo. It was rebuilt in the 17th century and kept the structural elements.

This beautiful house is placed on a street known for its characteristic architectonic harmony. Here are represented the XVII, XVIII and XIX centuries, with a nice show of the Porto’s architectonic atmosphere. On this building, the façade covered with azulejos panels from the second half of the XVII century stands out. This azulejos (tiles), made in Lisbon, describe episodes of the Holy Mary’s life.

Building where stands out the decorative stonework, masonry tile and padded double frame mantel. The main door is articulated with window of verga in arch and apron with ornate relief, ripping between pilasters with bases and capitals in stonework, topped off, above the cornice, by stone urns. The first floor is intended for housing and to the Museum and the ground floor to trade.

This temple was reconstructed on the 16th century presenting a on the main façade a doorway with manueline and renaissance decoration topped by a royal escutcheon. The inside has three naves and the central nave roof is with a wooden tunnel vault and the lateral ones are crossed. It stands out the coverage from the 16th, 17th, 18th centuries glazed tiles and a fifteen hundreds grave.

This church is preceded by a porch with an eighteen hundreds doorway and walls covered in glazed tiles from the 18th century. The inside is made of one only nave and where it stands out the altarpiece on the main chapel from the beginning of the 17th century, the lateral altars carving, the statuary, the crucifix in ivory, the glazed tiles and the four fifteen hundreds paintings.

The national monument classification includes the tomb of Sir Jorge de Lencastre, son of King João II, in Arrábida marble. Of this temple, the Gothic portal on the main facade stands out, with three archivolts and topped by a large oculus. Church with three naves, crowned with battlements. Special reference to the 17th and 18th century tiles and the high choir.

This Romanic church was built on the 13th century and here one stands out the paintings and the main chapel carving and the ceiling with coffers. The doorway is topped by a rose window and it possesses four archivolts settled in four columns with decorated capitals. The nave has rather big dimensions and finishes in triumphal arch with two half columns and capitals with zoomorphic decoration.

This church has a Romanic structure that through the time it underwent several transformations. It still maintains the corbel and two rose windows on the façades. It presents on covered porch connecting the main façade to the campanile. On the inside it has a nave and the cross arch settled on columns with worked capitals from the primitive period. It stands out the main chapel with carving altarpieces.

The building conserves the lancet doors and it is surrounded by a porch. On the façade left side there is the bell ringer tower. On the inside it presents a nave wrapped in glazed tiles under the “carpet” type, from 1681 standing out, also, the remaining glazed tiles coverage that decorates the church. The Manueline main chapel possesses an ample lancet arch and crossed vault.

Manueline gateway with straight lintel, garnished by canopied arch framed by perfect curve arches. Coming from a house in the historic centre of Beja, it documents the popularization of the ornamental manueline lexicon at Baixo Alentejo during the beginning of the XVI century. It stands out for its richness in decoration, showing an exuberant taste that made the school of the manueline architecture in Beja.