17th century church with a Latin cross plan with three naves, main chapel, sacristy and annex. The altarpieces of the Immaculate Conception, Saint Ignatius of Loyola, Our Lady of the Rosary and Saint Bonaventure stand out, next to the main altar.

Façade decorated with a portico sided by emblems, with three windows ended by curve fronton where the granite images of Keen Santa Isabel, São Francisco and Santo António stand out. Inside are worthy of notice the XVII century oils.

Characteristic temple from the end of the XVIII century, covered with azulejos (tiles) on the exterior. The front is sided by two strong bell towers and ended by a high curved fronton. Inside, the carvings, the paintings, the sculptures and the main altar stand out.

Parish Church of longitudinal plant consisting of a nave, a chancel narrower and a sacristy and a Bell Tower adossadas. Features of Mannerist and Rococo architecture. Inside, much adulterated, stands out the chorus-high wood and the triumphal arch back perfect.

This baroque temple construction was ordered by the abbot Afonso de Meira Carrilho on the XVIII century. It stands out its sculpture from the Saviour, an oeuvre done by the Master João Alves, dated from the XIX century and for the baptismal font.

Religious monument composed of nave, chancel, vestry and attachments. The simplicity of the traces of this church is visible. Inside, the elements that stand out are: the pulpit, the Mannerist and Baroque carved altarpieces of the chancel and the altarpiece. The Bell Tower was demolished in the sixties of the twentieth century.

This rococo church, dating from the 18TH century, stands out, inside, the neoclassical, with sobriety and polychrome carving without gold. On the throne the chancel altar you can admire a statue of our Lady of mercy, 18TH century work.

Built on the second half of the XVIII century, it was made in honour of Nossa Senhora do Terço, whose image was, until then, venerated in an oratory placed near the present church. On the main façade, the central window shaped as an aureole stands out.

This is a fifteen hundreds construction which underwent profound transformations during the 18th century, from which we stand out the garden outline under Italian influences. During quite some time this building was the residence for Guarda Bishops.

The tomb where Damião de Góis, a Portuguese historian who distinguished himself during the Renaissance in Portugal lies, is located in the chapel on the Epistle side of the Church of St. Peter. With sober lines, a frame with a Latin description stands out.