A lookout point perched on a cliff, with iron-framed stairs offering magnificent views of the Montemuro Mountains, São Macário Mountains, and Arada Mountains. A notable tile panel reads: "It's worth going to Pena, coming to Penedo da Saudade, taking paper and a pen and saying goodbye to the city."

This archaeological and ethnographic museum is located in Casa da Cerca, an interesting emblazoned house overlooking the municipal garden. It displays a wide range of objects related to the flax and wool cycle, handicrafts, agricultural implements, regional costumes, and archaeological objects.

In this museum, you can learn about the traditions of this region, including crafts, traditional costumes, cuisine, and activities typical of this part of the country. Their primary goal is to preserve ethnographic traditions.

This Romanesque church was founded in the 12th century. It is also known as the Church of Our Lady of the Conception or the Church of the Acronyms due to its extraordinary carving of signs, or stonemason marks. The granite façade features a pointed arch portal with sculpted capitals. The interior has a single nave covered with a Hispano-Arabic ceiling. It is the only temple of the Premonstratensian (Augustinian) order in Portugal.

Library with a vast collection of documents.

Set of indoor pools with support infrastructures.

From this spot you can enjoy magnificent panoramic views of the Castelo de Bode reservoir and the surrounding green hills.

This viewpoint offers beautiful views of the mountains and the Castelo de Bode reservoir.

A three-nave church with a chancel covered in historic 18th-century tiles. Of particular note are the 18th-century gilded altar, the tombstones, the baptismal font, and the pulpit.

A medieval church with a single nave and Gothic inscriptions. The founding of this church is linked to Queen Saint Isabel. The walls of the nave and the triumphal arch are covered in 17th-century tiles, and those of the chancel are checkered. Highlights include the pulpit, dating from 1544, the 16th-century paintings, and the 17th-century altarpiece.