Romanic church from the last quarter of the XII century. The temple, with three naves, was sacred in 1206. It suffered transformations on the XVI, XVIII and XIX centuries. Outside the eye-window and the portal with columns and decorated capitals stand out. Inside are worthy of notice the retable at the main-chapel and the gothic portico of the chapel.

16th century temple with three naves, separated by pointed diaphragm arches, where a magnificent Manueline portal with a serrated arch flanked by twisted columns stands out on the main facade. The interior, also Manueline, is enriched with some modern elements, such as the Renaissance pulpit and the 18th century tiles in the main chapel.

This is a Romanic church constructed on the same place where it used to be a former mediaeval necropolis. It presents a longitudinal plan composed by two juxtaposed rectangles, where it stands out on the main façade, and the doorway in round arch and the lateral doors in lancet arch. The mediaeval temple was built between the 12th and the 13th centuries.

Pentacentenária Church consists of nave, chancel, vestry and Bell Tower. The façade is painted white and takes one shot in yellow and has three small glasses. The nave and chancel are narrower and is filled with mural of the late 18th century. Stands out the steeple Bell cast in bronze with an inscription on the Santa Águeda.

This church was built on top of another church, whose founding is legendary and attributed to D. Afonso Henriques. In the 18th century, the façade was rebuilt, displaying an interesting Baroque style. Inside, a marbled stucco main altarpiece with a gilded throne and some 18th-century tiles inspired by Dutch models stand out.

A 17th-century palace with three sections: a two-story central section and two single-story side sections. The stonework on the doors and windows is particularly noteworthy. Inside, a tile panel dating from 1956 depicts the city's coat of arms stands out. Currently, it houses the Mirandela Town Hall.

Small pilgrimage hermitage with beautiful Pombaline tile panels. Rebuilt in the 18th century at the behest of King João V. The elegance of its main façade stands out, with rococo mortar work. Inside, the Baroque is already fully established in the large gilded and polychrome structures that spill over from the altarpieces.

This rustic space has an unusually lit room, fit for enjoying a meal in a peaceful atmosphere. Some of the menu's suggestions are: "migas", fried lamb chops, several black pork meats, black pork meat with black clams and the lamb "ensopado". Among the desserts, the honey and nyt cake stands out.

Cosy and romantic restaurant with piped music, where stands out the careful decoration, as the curious floor in glass bottles underneath. Large tables are the dishes with inspiration in traditional Portuguese cuisine with touches of author. Are a species of artworks the dishes presented with chocolate designs. All love are conspicuous by the touch of chocolate and pepper.

This church was founded in 1636 and it is an example from the sixteen hundreds architecture, with a plan in Latin cross, one only nave with lateral chapels, transept and ample main chapel. This last one displays coverage in barrel vault and elevations covered with blue and white glazed tiles, standing out the golden carved big altarpiece, with the throne and the sacrarium also in golden wood. The high choir is settled in three perfectly vaulted arches with balustrade. The lateral chapels are dedicated to Santa Quitéria, Santa Ana, Santíssimo Sacramento, Nossa Senhora do Rosário, Nossa Senhora de Soledade e …