Already the Bachus and, before, the Tavares Poor. Now, about the purview of Bosnian chef Ljubomi Stanicic, change the name and the concept for bistro, followed their brand image: 100 Ways. The building, Art Deco type, divided into two floors. The first with a bar, where you can drink a cocktail before your meal or following the same; the second with a room that shares the space with the filled wine cellar. Your kitchen is, as the entire environment created, simple and beautiful, with traditional Portuguese, French influences and, of course, Yugoslavia. As the chef likes to say: "food from …

Rural tourism unit located a few minutes from the city of Braga and other attractive destinations such as Gerês, Vila Verde and Caldelas. Besides the natural beauty of space, Quinta de Ataíde stands out by the family atmosphere, the tranquillity and peace of mind. The activities focus on direct contact with the surrounding nature.

The name “Arca d’Água” is due to the fountain and reservoirs that exist in this spot. This is one of the most pleasant gardens in the city and one of the top preferences of children, with its leafy trees, a lake with animals, an artificial grotto and lots of green spaces. “A Familía”, a sculpture by Charters de Almeida, from 1972 stands out.

17th century house with U-shaped plant and with terrace in the middle. Stands out the ladder, all lined with tiles of different sections that end at the top by two balconies alpendradas. To close the terrace there is a wall with a gate surmounted by a pediment and crowned by a stone statue. Here lived and died Teixeira de Pascoaes.

The Main Church of São João da Pesqueira continues to preserve some medieval features, especially in the main portal with its pointed arch. Inside this temple, whose construction dates back to the 14th century, the baroque main altarpiece and the 17th century paneled covering of the nave ceiling stand out.

Romanic church from the last quarter of the XII century. The temple, with three naves, was sacred in 1206. It suffered transformations on the XVI, XVIII and XIX centuries. Outside the eye-window and the portal with columns and decorated capitals stand out. Inside are worthy of notice the retable at the main-chapel and the gothic portico of the chapel.

16th century temple with three naves, separated by pointed diaphragm arches, where a magnificent Manueline portal with a serrated arch flanked by twisted columns stands out on the main facade. The interior, also Manueline, is enriched with some modern elements, such as the Renaissance pulpit and the 18th century tiles in the main chapel.

Pentacentenária Church consists of nave, chancel, vestry and Bell Tower. The façade is painted white and takes one shot in yellow and has three small glasses. The nave and chancel are narrower and is filled with mural of the late 18th century. Stands out the steeple Bell cast in bronze with an inscription on the Santa Águeda.

This church was built on top of another church, whose founding is legendary and attributed to D. Afonso Henriques. In the 18th century, the façade was rebuilt, displaying an interesting Baroque style. Inside, a marbled stucco main altarpiece with a gilded throne and some 18th-century tiles inspired by Dutch models stand out.

A 17th-century palace with three sections: a two-story central section and two single-story side sections. The stonework on the doors and windows is particularly noteworthy. Inside, a tile panel dating from 1956 depicts the city's coat of arms stands out. Currently, it houses the Mirandela Town Hall.