Integrated into the route of the villages of Portugal, this is a rural house inserted in a property consisting of a huge area of cultivation and the main building flanked by two flashy granaries. Highlight for the source and for the tank in carved stone, patent at the entrance of the House. The interior is rustic, with a kitchen with wood-burning oven and a traditional fireplace.

Temple of Romanesque origin rebuilt during the Renaissance, between 1517 and 1539. It has an interior with three naves and the chancel has a craftsmen's vault. The altarpiece on the high altar is made of stonework from the Coimbra Renaissance. The bell tower that makes up the main body of the facade stands out.

Mannerist and Baroque-style church, built in the mid-16th century. Presents a longitudinal plan consists of a nave and side chapels, and differentiated coverage on gable roof in the nave and dome and coated tile in the chancel. On the main facade, unique cloth set by pilasters, there is a stone of arms of the order of Santiago.

Built in the 16th century, it underwent reconstruction in the 17th and 18th centuries. The main door displays the coat of arms of Dom João II. Inside, there is a former Convent of the Jerónimos Friars, founded in the 16th century, and a chapel built over the site where, according to tradition, Saint Vincent was buried.

As is well known, Rio Maior is known mostly for being a place of salinas de rock salt, this being his main activity in the region. In this sense, this bronze statue to commemorate not only the activity, as well as workers of Rio Maior they make, even today, of the extraction of salt to their source of income.

Baroque and Neoclassical church with a single nave and chancel, with an attached sacristy. Inside, it features a high choir, built-in confessionals, a pulpit on the Gospel side, two side altarpieces and two side altarpieces, in Neoclassical polychrome and gilded woodwork, and a late-Baroque polychrome and gilded woodwork main altarpiece.

This is a Romanic temple in which it is possible to notice two construction phases: one is pre- romanic and the other is from the second half of the 18th century. On this last phase it was added the tower, the main chapel and the façade was remodelled. It is worth to mention the baptismal font in Romanic style due to its decoration.

Religious architecture consisting of: nave, chancel and vestry. The main façade, of simple traits, is white-washed, has granite trim and a circular window. Inside the ship liners and the chancel; the first, painted with busts of Saints and the seconds with flowers, the Sun and the moon. Altarpiece-mor in gilt national style.

Building from the beginning of the 18th century, with a popular appearance. It has a main portal with Baroque decoration and a Manueline side portal. Wooden altarpiece, unique in the Algarve, with images from the 17th and 18th centuries. There is an image of the mutilated Senhora da Piedade. Inside is the Museum of Sacred Art of Albufeira.

This former monastery for the Clarisse sis composed by a longitudinal plan with one only nave, a narrower main chapel and a square bell ringer tower, a lateral chapel and an attached sacristy. It was built on the 16th century with several improvements and additions presenting some features from the mannerist and baroque architecture.