Chapel of eclectic architecture. Has main body and sacristy located near. Body of the sacristy later, without pillars, spires or cornice. Features gilded altarpiece from the late 600 with white and gold renewed for painting.

Chapel dating from the 17TH century, the present a longitudinal plan consists of a nave and a chancel, with homogeneous coverage more closely in gable roof. Featured, on the high altar, for the perfect round niche with the image of the Patron Saint.

Mannerist Chapel of quadrangular and coverage in Spherically. Highlighting the gate crowned by triangular pediment stopped by plinth and cross. Has traces of fresco painting in the high altar and some multi-colored tiles from the 17th century.

Vernacular Chapel of longitudinal plant, consisting of a chancel, a vestry and an attachment adossados. Featured, inside, the altarpiece in stone dating from the 16th century and, abroad, for the font embedded in the wall, which is believed to have been devotional.

This Chapel, dating from the 17TH century, it was later altered in the 18TH century and expanded in the 20th century. It was built on a very simple vernacular style, standing out the shot of the facades in cornice in whole rolls and the main altarpiece.

Stuffed with chila pumpkin jam and sprinkled with sugar and cinnamon, this conventual sweet originates from Fão. This dessert, known since the end of the 19th century, is the symbol of local sweets, and there are few visitors who don't try it.

Gym located on the outskirts of Aveiro to be conducted, apart from weight training and cardio, various arrangements related to martial arts, such as Judo, Ju Jitsue and Tae You. There is also an indoor pool, sauna and Turkish bath.

Sports complex where a headquarters building and a training building, consisting of four fields lawns, a field naked, a synthetic field and a Sports Pavilion. Here are practiced several sports, ranging from football to martial arts.

Located in the Church of Misericórdia, recovered and adapted, this museum has been open to the public since 1993 and comprises a set of objects mainly composed of paintings, from the 16th to the 20th century, as well as objects of religious value.

It features a permanent collection of oil paintings, about a thousand charcoal drawings and notes by the painter Pedro Cruz, ranging from his time in Paris (1906-1910) until the date of his death in January 1980.