Founded by the vow of Dona Maria, wife of Alfonso XI of Castile, it is a fully vaulted Greek cross chapel-fortress. At the top of the main façade stands a bell tower with a bronze bell. The building is topped, all around, by a coronation of merlons and battlements of a clearly defensive nature. Also notable are mural paintings depicting figures of saints, according to nineteenth-century copies, framed by stucco moldings.

This 16th-century chapel preserves the Manueline portal and inscribed tombstones on its main façade. On both sides are buttresses, topped by conical pinnacles, supporting the coffered vault covering the chapel's single nave. The walls are covered in 18th-century tiles. It has a single nave and a chancel with star-shaped vaults supported by corbels, Manueline decorative elements on the clasps, vault-flush corbels, and also on the portal.

Chapel built in the 16th century, under the protection of the Archbishop Alexander of Braganza and with the contribution of the architect Francisco de Mora, responsible for the plant. Its main features are the altar in gilt in the chancel, nave of rectangular plant and its simplicity, given the severity of manners and the conduct of the "Discalced Carmelites". In January 2005 the intervention works were initiated for recovery and boosting the building multipurpose cultural, tourist and social level.

Hewn chapel dedicated to St. Anthony, is a building of rectangular plant, built in granite, oriented East\/West. The original building was, throughout the ages, the target of restructuring and expansion works in order to meet the needs of the growth of the village community. This chapel has two altars: the high altar, which occupies the bedside wall and a side altar, the Gospel side, housing the main religious imaginary local devotions.

Created in 1990 and acquired by the Santa Maria da Feira City Council in 2000, the Lourosa Zoo is the only park exclusively dedicated to birds in Portugal. Education, preservation of endangered species, and research are the park's three main functions. Macaws, ostriches, swans, owls, flamingos, vultures, and other birds populate the park, while lush vegetation adorns the space, making it pleasant even on the hottest days.

Cottage located in the small mountain village of Travanca, in the Montesinho Natural Park. This home has been remodeled, offering transmontana typically currently two options: the main house, with five bedrooms, lounge, living room, kitchen and terrace, and a smaller House with a bedroom, a kitchenette and a porch. In both House can prepare meals in the wood-burning oven in the fireplace or the old-fashioned way, with a pot.

This church has a plan in Latin cross and one only nave. The carving on the main altarpieces is inserted on the National style. The chapels’ covers with coffers in painted carving were reproduced in the nave tunnel vault. It is worthy to mention the candleholders angels, in D. João V style, the polychrome wooden frontal representing “The Last Supper” and the panel, also polychrome, representing the hell on the Gospel collateral altarpiece.

A classical Italian horseshoe theater, very rare in Portugal. Inside, the wooden structure of the boxes stands out, with decorative gilded stucco applications. Eclectic decorative elements are also visible in the main hall: the walls are decorated with shell-shaped moldings and (neoclassical) festoons with stucco symbols alluding to the theater. There are also hints of Neo-Baroque and Art Nouveau styles (iron railings on the large window).

Despite being a Hermitage of medieval construction, reconstruction is expression chã, but was careful to keep the base structure. The chancel was renovated and became more narrow. The main façade, surmounted by a Latin cross, is torn by round arch portal and has small Windows on the sides. The interior features three sections defined with pillars that divide the 2 ships, one being quite narrow, unique feature in this region.

The main façade stands over a landing where one arrives from a stairway, under which there is passing water. One should notice the three stonework portals with a straight rod in architrave, the taller middle one, with an interrupted triangular gable, a cruxifix and forged iron gratings. Inside, one should pay close attention to the sculptured panel and to the side walls with blue painted wood.