Chapel built in the 16th century, under the protection of the Archbishop Alexander of Braganza and with the contribution of the architect Francisco de Mora, responsible for the plant. Its main features are the altar in gilt in the chancel, nave of rectangular plant and its simplicity, given the severity of manners and the conduct of the "Discalced Carmelites". In January 2005 the intervention works were initiated for recovery and boosting the building multipurpose cultural, tourist and social level.

Hewn chapel dedicated to St. Anthony, is a building of rectangular plant, built in granite, oriented East\/West. The original building was, throughout the ages, the target of restructuring and expansion works in order to meet the needs of the growth of the village community. This chapel has two altars: the high altar, which occupies the bedside wall and a side altar, the Gospel side, housing the main religious imaginary local devotions.

The Resort covers an area of 17 hectares, inserted in a pine forest, largely wooded and landscaped. The principles of his philosophy, "pure life-Dream", reveal themselves in every corner. Inspired by the harmony and balance of nature, the result is excellence in hospitality and well-being absolute. One of the main concerns is to turn your stay into an experience of total comfort in an environment surrounded by charm, ensuring customer privacy.

Cottage located in the small mountain village of Travanca, in the Montesinho Natural Park. This home has been remodeled, offering transmontana typically currently two options: the main house, with five bedrooms, lounge, living room, kitchen and terrace, and a smaller House with a bedroom, a kitchenette and a porch. In both House can prepare meals in the wood-burning oven in the fireplace or the old-fashioned way, with a pot.

This church has a plan in Latin cross and one only nave. The carving on the main altarpieces is inserted on the National style. The chapels’ covers with coffers in painted carving were reproduced in the nave tunnel vault. It is worthy to mention the candleholders angels, in D. João V style, the polychrome wooden frontal representing “The Last Supper” and the panel, also polychrome, representing the hell on the Gospel collateral altarpiece.

A classical Italian horseshoe theater, very rare in Portugal. Inside, the wooden structure of the boxes stands out, with decorative gilded stucco applications. Eclectic decorative elements are also visible in the main hall: the walls are decorated with shell-shaped moldings and (neoclassical) festoons with stucco symbols alluding to the theater. There are also hints of Neo-Baroque and Art Nouveau styles (iron railings on the large window).

Despite being a Hermitage of medieval construction, reconstruction is expression chã, but was careful to keep the base structure. The chancel was renovated and became more narrow. The main façade, surmounted by a Latin cross, is torn by round arch portal and has small Windows on the sides. The interior features three sections defined with pillars that divide the 2 ships, one being quite narrow, unique feature in this region.

Enlarged and remodeled in the 18th century, the Romanesque elements remaining in this church point a chronology right for your edification late, which will probably occurred between the 13th and 14th centuries. Medieval construction kept the main portal primitive, consisting of two slightly broken and archivolts supported by columns with capitals, whose sculpture is well attached to the basket. This season, also preserved an arcosolium, the outside of the south wall.

Large church with main façade flanked by towers with pyramidal and prismatic spires protruding in the lateral façades little foothills. Features vaulted nave, divided into five sections by torais arches, chancel and side chapels with cannon vaults simple. Simply decorated in the facade inside, only contradicted by the exuberance of azulejar. The classification includes the carving retables and tiles from the 17th century ("carpet") q

This is the main church of Pontével, a town located about five kilometers from the municipal seat. It is believed to have been founded in 1302 and has been rebuilt several times, most recently in the 17th century. Some of its most distinctive features are the three bronze bells, with intricately worked edges, in its bell tower, as well as the late 16th-century tiles and the baptismal font.