This building was built in the 19th century by the Counselor Dr. José Maria de Sousa Macedo. It had different owners until, in 1989, it bacame a bank. It has a rectangular plan, with two floors, a mansard and symmetrical façades. The main façade has a more elaborated ornamention, of vegetalist Art Nouveau. Tha mansard has spans that are circular for the most part in contrast with the square lines of the other two floors.

The most important worship space, dedicated to our Lady of graces, is flanked by the old cemetery of the village. The main façade has a rectangular portal, flanked by two horizontal slots, surmounted by an oculus, the stretching of the gable has a bell tower with a Bell, crowned by a cross flanked by triangular pinnacles with ball. Inside this Chapel stands the high altar in gilded and marbled wood that houses local devotions religious imaginary.

The current Chapel of Our Lady of Deliverance is what remains of the main church of São Martinho, a significant testament to the itinerant work of artistic teams during the Romanesque period. The crevices and capitals reflect a design also adopted in the churches of Cabeça Santa, Águas Santas, and Cedofeita. The nave of the Church of São Martinho, in ruins, was demolished in 1873, and its stone was reused in the expansion of the current parish church of São Clemente.

This Chapel belonged to leprosaria 12TH century, having been abandoned in 1292 with the change from the hospital. In the 16th century was restored in Renaissance molds. The chapel reveals in its architecture the artistic moments that passed: Lancet arches, images from the 16th century and 17TH century tiles. The artistic wealth of this temple comes mainly from 16th-century campaign of restoration. The colonnaded porch in the main and South facades.

In this space, dating back to the 12th century, a special note to the main retable, the tubes organ, the magnificent set of chairs, located in the central nave, the sacristy, with tile covered walls, of the 17th century, paintings from the 1500s, namely the painting of Saint Peter, by Grão Vasco or Gaspar Vaz, both from the "School of Viseu", the granite statue of the Virgin with Jesus as a Child, of the 14th century, and the tomb of Dom Pedro.

The artistic patronage of the Monastery, which owned the parish of Cuba, resulted in the donation of liturgical artefacts that enriched the building's ambiance, whose interior is covered in 17th-century tiles. The brotherhoods and sisterhoods based in the building also competed in commissioning works, demonstrating the land's richness. The collection thus assembled became the treasure of the main church of São Vicente, which later incorporated pieces from other churches in the town.

Solar with origins in the 17th century, with the Chapel, the family estate Alvim since that date. Internally restored, retains architectural traces of later times and a friendly traditional garden, characteristic of the region's manor houses. Offers, four rooms, in the main house and four houses of various types along the garden. Breakfast is served in one of the two living rooms of the Manor. This unit features a swimming pool and tennis court.

Mudéjar-Manueline construction, from the beginning of the 16th century. Protected by seven small cylindrical towers, it is crowned with Muslim-style battlements. The facade is from the 18th century, with a triangular pediment, a tower with a square plan and a portico with squared jambs and lintels on the main facade. The interior has three naves with a ribbed vault. The altarpiece features four oil painting panels from the second half of the 16th century.

This church was rebuilt in 1769 by orders of the command of the Infantry Regiment of Lagos, in order to become a chapel for them. The riches and profusion of the golden carvings on the high altar and the side walls, make this church one of the main examples of the Portuguese baroque. The wooden ceiling imitates a barrel-vault with a perspective painting. On the side walls one can admire 8 paintings that allude to Saint Anthony's miracles. The patron saint stands on the altar.

Built in the mid-17th century, the house underwent several alterations throughout the 18th and 19th centuries. Eleven windows with wrought-iron grilles remain from the original construction. The main door and the window above it date from the 18th century. Coats of arms of the residents can be seen on the corners of the building. Also noteworthy is the square, cornered turret with a mat roof and four windows, dating from the 19th century.