The Center for Environmental Education and Interpretation promotes activities that provide participants with contact with the natural values ​​of the Chifre Protected Landscape. All the senses are put to the test, from smell to taste. The main building comprises a reception area, exhibition hall, workshop, auditorium with a capacity of 40 people, laboratory, documentation center, and technical office. It also has a reception center with male and female dormitories, with a capacity of 40 people, as well as a canteen and dining room.

In operation since 2008, the Casino de Chaves is a modern building, with machines and game rooms. Its main attractions are the more than 300 slot machines, the mixed room with machines and games, the black-jack, American roulette and several kinds of poker games. It also has three bars, two restaurants and a room where you can dine and watch a show at the same time. In the same building is the modern Hotel Casino de Chaves.

The Monte Inglês (English mount) has, in the main house, 3 bedrooms and a 2 bedroom apartment in the area adjacent to the House, with 2 double bed rooms, 1 room with WC the other common access. Living room and fully equipped kitchen. It also has living room with panoramic views of the indoor riding arena and reading area with Internet access. The rooms feature inset heating fires (wood), distributing heat to the bedrooms.

In this House we intend to rigorously authentic environment reset, starting with the construction and genuine and quality furnishings, with a decor that respects the traditional knowledge of the region, never forgetting the comfort, present through some modern touches. Its name comes from an 18TH-century Door Knocker which still decorates the main gate. Divides two farmhouses, one with six bedrooms and another with four bedrooms; and two villas, each one with a room.

Located 25 kilometers from the town center is this monument of probable Arab origin. Rebuilt after the 1531 earthquake, it features an interesting sculpture above the main gate, where three castles and an eagle are visible. After assuming great defensive importance, it lost its usefulness over the years, and only between 1941 and 1954 did it undergo renovations that gave it its current appearance, with two towers. It served as a prison during the Middle Ages.

A castle located in a border area that was the scene of many war campaigns. The construction of the wall, reinforced with semi-cylindrical towers, was the result of a deal between the people of Alegrete and King Dinis: the residents would build the wall, and the monarch would grant the charter. In addition to repopulating the village, Dinis built the keep and, in 1319, continued the work begun by his father, Dom Afonso III. The old town clock stood at the main gate of the old fence.

Belonging to the set attached to the Águas Livres Aqueduct, an aqueduct, in stone, created to get water to the Terreiro do Paço de Queluz for consumption of the Royal Mews. The work was created in the place of two sources: the source of Gargantada and do Pocinho and served several fountains and fountains in Queluz. Built by d. João V, in 1731, was only to be done in the mid-19th century. The main section is 14 kilometres in length, of which eight in the municipality of Amadora.

The chapel in the village of Valdegas, dedicated to the divine Holy Spirit, deployed at the entrance to the village is a granite building, of rectangular plan oriented Northeast\/Southwest. On the main façade, with a porch, has a ported rectangular and in the elongation of the gable, a belfry. Inside this temple stands the high altar in polychrome and gilded housing and a monstrance, religious imaginary in gilt, with a monstrance rifled with a dove, representing the Holy Spirit. This is the chapel which is celebrated the mass of the feast in honour of the divine Holy Spirit.

Mannerist parish church. Presents longitudinal plant composed of ship alpendrada and chancel and vestry and belfry adossados to side front left and right, respectively. The altarpieces are carved polychrome, which extend through the triumphal arch, the national Baroque style. The building also features vestments in masonry, except the chancel and the main façade. The interior shows intense painting on wood decor and talha and the toppings in caissons are hagiographic theme and scenes from the life of Christ.

Its exact foundation is unknown. However, it is mentioned in royal documents from 1320. In the 17th century, its main elevation underwent major architectural changes. It features a granite portal, a lintel, a triangular pediment topped by a stone cross, a spire at the north end, and a robust, sharp-pointed bell tower opposite, made of masonry decorated with artistic sgraffito, two eyelets, and an equal number of cast bronze bells, the oldest dating from 1772.