Situated in the "heart" of the city of Horta, the Praça da República garden is a small landscaped space where stands out the traditional Bandstand. Leafy trees around the garden, making it the ideal space to relax after a walk by the marginal zone or picturesque lanes of the city.

Prof. Pinto Barbosa was a native of the municipality of Murtosa and stood out as Finance Minister and Governor of the Bank of Portugal. The bust of the former Finance Minister is in bronze and sits on top of a granite pedestal. It was inaugurated on September 13, 1970 and was attended by the then President of the Republic, Américo Tomás.

Seventeenth-century chapel which is located near to the templete of a cruise, which serves as a porch. The chapel was built after the cruise, showing why a plant out of the ordinary. In the interior, highlighted by a 17th century image of St. Peter, located in an open niche in the wall.

The building on Avenida da Boavista has an Art Nouveau architecture. This building stands out on view decor that combined with the metallic structures confer a remarkable consistency. The classification of the building includes the exotic woods, the greenhouse, the guard House, the bandstand, the Lake, the windmills and the garden.

This building's main façade features a 16th-century portal topped with the coat of arms of Dona Leonor. On the left side is the bell tower, and on the side façade, two large 17th-century windows stand out. Inside, the triumphal arch and carved chancel are noteworthy.

The Nossa Senhora da Conceição Church was built at the end of the 15th century, damaged by the 1755 earthquake, and then rebuilt in the 18th century. A new reconstruction in the 19th century gave it the current configuration. Of the original building, the Gothic portal with gilded capitals and gargoyle stands out.

The primitive time was a simple Chapel, in 1723, gave way to a larger parish church. In 1800, he returned to be re-constructed, obtaining the current aspect. Presents a single nave, three altars and a White Tower, standing out, inside, the pulpit and the choir-high.

The façade displays some traces from a Romanic doorway which panels are ornate by two pigeons. The inside has one only nave standing out the baptismal font that has it origins on the fifteen hundreds period, the pulpit and the image from Santa Maria.

In this monument stands out the Glazed tiles in “pattern” and “carpet” type, a fifteen hundreds pulpit in marble, a stone sculpture from the 15th century, the image of the Virgin dated from the 16th century, the altarpiece in baroque tile and the column in circle font laying in a pilaster.

This Romanic temple has altarpieces in neoclassic carving. On the inside, improved on the 19th century, it stands out the Romanic arch from the main chapel that settles in columns with decorated capitals, of which has mermaids. The nave walls are covered with sixteen hundreds glazed tiles.