Built in the 16th century, the temple underwent modifications in the 17th century. The main Renaissance portico has a round arch and is framed by two pilasters. Of note is the complete polychrome tile covering from 1659.

Main street at Luzim, from the church to the crucifix, along which follows the EN 312 (National Road 312). Aside from the church, it has a bandstand, a garden and the calvary crucifixes along the road.

Small chapel, built in the 18th century in the place of primitive gathering of Cistercians. Has Mannerist volumetry, ornamented Baroque main portal controller. The interior is a single nave attached to chorus by a spiral staircase.

A single-nave temple, covered in standard tiles, honoring Our Lady of the Assumption. The main chapel features a gilded altarpiece dating from 1723 and tile panels dating from the 18th century.

Baroque style work built in the early XVIII century. It has a nave and a main chapel with two addorsed sacristies. Inside are worthy of note the carving and the glazed tiles from the late XVII century.

Baroque church with a single nave, covered by a wooden ceiling, main chapel and side chapels. The gilded altarpieces are in the national style with columns covered in acanthus leaves, vines, birds of paradise and little angels.

Mannerist chapel probably built in 1570. In the 17th century it was covered with tiles and, in the 19th century, the main altar altarpiece was placed. A highlight is the set of 17th-century polychrome pattern tiles that cover the walls.

Church located within the fortress of Valença, neoclassic and longitudinal plan of 3 ships and 3 bays, separated by vigorous square pillars. The main façade is characterized by sharp upright, with ships of great height.

Church of longitudinal plant consisting of three staggered naves of five bays and a chancel closer, showing internal coverings. Features of Manueline, Mannerist and Baroque architecture. Inside, the main altarpiece of Mannerist gilded.

A palatial nineteenth-century house featuring Baroque and Pombaline architecture. The floor plan is organized around a quadrangular courtyard, with four buildings surrounding it. The main entrance features the coat of arms of the Counts of Aveiras.