Set in a 19th-century building, this hotel is situated in the historic centre of Constancy, and have available, in the main building, four rooms "twin", a double room and two junior suites. A new building, opened in 2003, offers even more six double rooms.

Mannerist and Baroque church composed of a longitudinal plan with three naves staggered, four bays, a chancel narrower and a Bell Tower and a sacristy adossadas. The main façade has a portal back perfect, a rectilinear window and a niche. In the interior, especially the altarpieces of gilt and polychrome.

Building with 2 floors, main facade tile-lined Greens, type "widow of Lamego" and Windows and doors with verga in rope decoration and pointed arch, in white marble. The building is crowned with marble cornice and balustrade with rope decoration, tiled fillet with floral motifs.

Nothing remains of the original 12th century temple. The tower’s battlement row and the main chapel’s archway were both built in the 16th century. There is a cinquecento altar-piece, and the 16th century facade is made up of ashlar masonry and has elaborately worked windows.

This building's main façade features a 16th-century portal topped with the coat of arms of Dona Leonor. On the left side is the bell tower, and on the side façade, two large 17th-century windows stand out. Inside, the triumphal arch and carved chancel are noteworthy.

Baroque building of rectangular plant with five floors, probably built in the second half of the 18th century. Presents three main facade cloths and differentiated coverage on roofs of three waters. In the eighties of the 20th century, was adapted to the nursing home. The interior is highly adulterated.

17th century Church, rural type alentejano, consisting of nave and chancel. Whitewashed exterior facade in blue with blue trim. Door surmounted by both window framed with white marble. Inside, the highlight goes to the main altarpiece in marble, late-Baroque style.

The Church consists of nave, choir-alto, chancel, belfry and vestry. The main altarpiece, with probable date of the 19th century, features neogóticas. The altar can be seen five panels, all opened in niches. In the center pane is the image of our Lady of Mount Carmel.

This temple has one only nave to which it opens four lateral chapels. The main chapel, with the walls covered by glazed tiles panels from the sixteen hundreds, possesses a carved altarpiece from the 17th century. It is also worthy to mention the baptism chapel.

This Romanic temple has altarpieces in neoclassic carving. On the inside, improved on the 19th century, it stands out the Romanic arch from the main chapel that settles in columns with decorated capitals, of which has mermaids. The nave walls are covered with sixteen hundreds glazed tiles.