A garden with many large trees that provide plenty of shade. Located in the middle of the city, it surrounds the Church of the Lord of Sorrows. There are benches throughout and also a small playground.

Two storey L-shaped Solar that currently features 18th-century features, while still keep the body of the staircase with the moth of the previous building. It consists of two bodies connected at right angles. It has a chapel marked by a simple portal with a frieze of the entablature on top and a cross to the axis flanked by two pinnacles.

Tumulus with about ten meters in diameter, located about thirty meters from the town of crane, right next to the path that connects to the same. Features remains of lytic and a breastplate "tumuli" reasonably visible, a result of the great depression. The Chamber there are four mainstays that outcrop at the surface, some of them to about half a meter.

Old chapel of which only have one part of the wall edge of the chancel, where one can find a fresco of the 16th century. This painting, with approximately 1.5 square feet, represents the figure of Santa Luzia, with the Palm, a symbol of martyrdom, in the right hand and a tray with two eyes on her left hand.

Roman bridge that has the Board plan based on three perfect round arches. Stay on EN 105, between 35 and 36 km, making the detour to São Martinho do Campo. The bridge is over the river Vizela with access by Bridge Street, on the right bank, or flower of the field Street, on the opposite bank.

Statue that pays homage to João de Deus. João de Deus was an eminent lyrical poet who, during his lifetime, was considered to be foremost amongst his peers. He was also the pioneer of a new teaching method that aimed to simplify teaching reading to children, the Cartilha Maternal. He was very popular during his lifetime and as such was laid to rest at the National Pantheon (Panteão Nacional). To this day he is still referred to as the poet of love.

Located on a rocky Islet in the river Tagus, a Templar Castle warrant lift by Gualdim Pais, in the 12th century. Previously, it is believed to have existed a castro lusitano, improved by the Romans. The walls are flanked by ten towers that surround the keep and which gave the set an important defensive capabilities. Inside, there are several monumental doors that make communication between the different parts of the Castle. The access is made by river in a small boat crossing, lasting about five minutes.

Being the polychromy and exuberance of the shapes the main features of Baroque, it is not possible to walk through the city without noticing the many baroque buildings the city owns. This architectonic style can be seen in several buildings of civil and religious architecture of Porto. Some of the best examples of this style are the Clérigos Church and Tower, the Misericórdia Church’s façade, Santo Ildefonso Church and The Holly See, being this last one, of Romanic origin, one of the first to suffer baroque changes. From the Clérigos to the Santo Ildefonso Church we can observe a set …

Located 17 kilometers from Rio Maior, the area's main feature is its extensive valley with rock salt flats. Architectural highlights include the Nossa Senhora do Rosário parish church, the pillory, the former Town Hall, now the Azambujeira Regional Museum, and the single-arch stone fountain bridge built during the reign of Queen Maria. Local crafts include blankets, pottery, and wooden clubs.

Hotel situated in the Centre of Lisbon, near Restauradores square and only one hundred metres from the trendy Bairro Alto. With more than 75 years, this hotel has been completely refurbished, showing now a hundred very comfortable and fully-equipped rooms, including those who are located on one of the upper floors for a wonderful overview that provide on the castelo de São Jorge and the Tagus River.