This church was founded on the 13th century and reformed on the 17th and 18th centuries. This fine example from the Baroque style has a façade with five ample windows in triangular wickers and it is sided by two bell ringers’ towers.

This convent was founded in 1570 by Infant D. Maria of Portugal. It should be mentioned the church with one only nave, covered with tiles from the XVIII century and the two floors cloister with rectangular plan and simple lines.

Possible megalithic monument located about 150 metres from the castro de Serraquinhos. Is partially cut off by a path, not presenting central depression, common in most of these monuments, but checking if remains of lytic Cuirass.

This is a Milestone with a rococo architecture built by orders of Queen Dona Maria I to mark the miles from the Royal road starting in Lisbon. In this monument one stands out the sun watch placed in the milestone base.

Parish church dating from 1517 and dedicated to the Purification of the Blessed Virgin. In the sacristy, highlights are the treasure pieces, of great historical value. Also, noteworthy is the Capela dos Santos Reis Magos, also inside.

Chapel attached to the convent of San Francisco, this church was the Franciscan convent of our Lady of victory. The interior preserves interesting two tile panels dating from the 17th century, representing the miracles of Santo António.

Built, probably, in the XII century, it was rebuilt in the XIII century by the Templar, and suffered later various acts of vandalism, being reduced to ruins. It suffered successive interventions and is now a work mainly from the XIX century.

This is a Romanic church with one only nave, main chapel and bell ringer tower. From the original temple it only maintains the corbels remains on the top. It underwent several improvements, displaying, mostly, neoclassic features.

The temple dating from 1911 is also named "Church of the Angels". The interior of the Church is covered with carvings and antique paintings. Among the paintings is a Board of Dayanan representing Santa Irene healing the wounds of São Sebastião.

Church from the 16th century, with Manueline, Mannerist and Rococo architecture characteristics. It is composed of a rectangular nave, a chancel and a vestry rectangle. In the interior, highlight for the 17th century pulpit and the altarpiece in Rococo polychrome carved chancel.