Chapel which features Mannerist and Rococo architecture. Has longitudinal plant and consists of nave, chancel and vestry. Inside has wooden choir-alto, pulpit foursquare on the side of the Gospel and triumphal arch back perfect. Chancel with chancel retable of gilt and polychrome, also in the Rococo style. It features panels with representations of Saints and belonging to 18th century choir stalls, backrest reused to line part of the Interior of the main Chapel cloths.

The oven of the people of Carvalhelhos is a vernacular rural construction in granite, two waters, coverage in tile, and a porch in the main façade. Inside the building are an oven in granite, where the local population continues to bake traditional bread. This equipment was, in ancient times, an important role in village sociality, the so-called "coffee of the people", was where they gathered during the evenings, was also the hostel of the poor, beggars and pilgrims, passing through the village, which then stayed overnight.

This church, built in medieval times, underwent successive renovations. The facade is in gable clipped, with cone-shaped window and shot false pediment with a niche. In the lateral façades are traces of openings, Windows, doors or graves. Inside, the main altarpiece is a copy of transition, with neoclassical decorative elements but with baroque structure. The internal coverings show neoclassical decorative painting. There are also images of s. Pedro de Verone and some paintings in the side altars.

This renaissance temple was constructed during the 14th and 16th centuries above a former chapel and it suffered damages with the 1755 earthquake. It has a simple façade dominated by an imposing bell ringer tower. The lateral door presents two curious sculpted human figures. On the main altar it stands out a monumental image with our Lady of Glory coming from Brasil and for a crucifix from the 16th century that tradition says it was in Alcácer – Quibir battle.

Manueline building where stands out the gate assigned to Marcos Pires, the triumphal arch and the vault of the chancel of Diogo de Castilho. The altarpiece of the main Chapel, triptych, presents in the center pane Nossa Senhora da Graça on the side panels and the conversion of St Paul and the fall of Simon Magus, representing the primitive Portuguese painting. Note also the altars with 16th century paintings and tiles from the 17th and 18th centuries.

13th-century building, rebuilt after the 1755 earthquake. It maintains the Gothic structure and portal. In the main chapel is the tomb of the seven Knights of the Order of Santiago killed by the Moors in an ambush, which legend associates with the conquest of the city. From the collection of sacred art, comprising pieces of goldwork from the 16th and 18th centuries and vestments, a missal stand from the 16th / 17th centuries, from Japan (“nambam” art) deserves special mention.

Its patron saint is Saint John the Baptist, and it was built in the 14th century, being rebuilt three centuries later. The tower was demolished by an earthquake in 1909, and inside, it has a single nave, while the wooden ceiling unfolds in three planes. The walls are covered with tiles depicting the life of the patron saint, while the main altar has a gilded altarpiece. It possesses valuable pieces such as a silver chandelier or an image of Our Lady of the Rosary.

This building is composed by one only nave and rectangular main chapel flanked by 2 chapels. The square bell tower presents two levels in which the superior one has only 2 walls with bell ringers crowned by pinnacles on the corners. On the south façade there is a doorway with arch, archivolts above the right foot and flat tympanum, two openings and windows. It preserves Romanic elements from the second half of the 13th century.

It is a wooden device consisting of a hydraulic driving wheel, axle, cigarette packs and the mixer. Although the main purpose of the Piso be to grant a more compact texture to wool cloths, in most cases it is also used to strengthen blankets or quilts with some use and to dye fabric. The process of fulling industry consists in the wash, in pisoamento itself (the cloths are churned up and beaten by the packs, press the warp and weft) and finish (the cloths are put to dry in the Sun).

The campsite Between Both-os-Rios, located in albufeira of Touvedo, is characterized by intense vegetation and afforestation, with lots of shadows, giving campers pleasant moments. Offers Bar, recreation room, among other services, in order to provide ideal conditions for the practice of camping. Its main points of interest are the Roman bridge over the spaghetti incident, the Museum Centre of Between Both-os-Rios, the village of Germil and the Hermitage Museum.