Não se trata de um bar, mas de um sítio que serve apenas caipirinhas de muitos sabores, num horário alargado e muito movimentado. Ao balcão, depois de feito o pedido, o cliente pode ser a preparação da sua bebida. Bar com duas localizações na cidade do Porto, junto à Foz e na Baixa.

O Aqualuz é a denominação comum da oferta de alojamento, dividida por três torres, mais precisamente Mar, Rio e Lagoa, com as primeiras duas unidas por uma receção, zonas de convívio, Spa e piscina. No total, são mais de 300 apartamentos de diversas tipologias. Nas torres principais destaca-se o excelente trabalho de remodelação e redecoração.

The Cantinho da Figueira is a Centennial building, sheltered medieval walls housing the village of Castelo de Vide, in Alentejo. The interior of the dwelling is paved with wood, combined with the texture of traditional whitewashed walls, offering a variety of unique light effects. On the first floor floor, the room is marked by harmony and decoration by the nobility of the window, where you can enjoy a meal overlooking the Sierra de São Paulo, in the Natural Park of Serra de São Mamede.

Built in the 16th century in the place of a hermitage where the sailors went to pray, it was deeply modified after the earthquake of 1755. The main chapel is decorated with a panel of the end of the 17th century, which belongs to the experimental baroque epoch. A stone image of Nossa Senhora da Esperança and yet another image of Santa Ana, credited to the sculptor Machade de Castro, ar part of this church's assets, that also includes paintings and images from several convents.

A Mannerist building, rebuilt in the 18th century. The interior walls are covered in 17th-century blue and white tiles depicting scenes from the life of the Virgin Mary. At the back of the church is a eucalyptus grove that ends in a fountain, the Fonte da Senhora or Fonte Santa, where, according to legend, Our Lady of Atalaia appeared. The traditional symbolic "Lavagens" are still held there today during the parish's main pilgrimage, which takes place on the last Sunday in August.

About 30 metres from the main estradão and along the access path that connects to the chapel of Senhora da Livração, a tea, is a megalithic burial monument whose tumuli is relatively high. Has at least 13 meters in diameter and about 1.5 meters high, is fairly revolved; features deep depression and identifies any central mainstay. Near this monument identifies what could be another, is fully covered with stones, which made it impossible to confirm.

Romanesque temple rebuilt by Dom João I, in late 14th century, in fulfilment of a promise made to Nossa Senhora da Oliveira, for victory at the battle of Aljubarrota. The chapter room and two wings of the present Romanesque-mudejar elements cloister, which constitute the best set of this style, granite throughout the country. This church has the only set of Gothic painting of ceiling in Portugal. Inside, stands the seventeenth-century choir stalls with neoclassical backrests.

The construction began in 1610 as the Paço de D. Brites Lara (Palace), and in 1657 the Ordem das Carmelitas feminine convent, space where the church is integrated, was built. By the end of the XVII century the pulpits were built and the dressing in golden woodcarving began. In the next century the referred woodcarving was combined with azulejos (glazed tiles) from the Vital Rifarto factory. Already at the XX century, the building suffered repair works, being classified as National Monument.

Religious architecture built during the reign of D. Manuel I, with a single nave and niche on the main facade, on which appears the inscription with the date 1714, which probably indicates the year in which the reconstruction works were completed. Inside you can see the national style gilded altarpiece and the images of: S. João Evangelista, Nossa Senhora das Dores, Senhor dos Passos and Senhor Morto. These images are life-sized and highly expressive.

Planned by the architect Carlos Amarante, this church was built along the XIX century, by initiative of the Ordem da Trindade, at the Largo do Laranjal. The façade is classical and the walls are filled with neo classical retables. It stands out, in the principal chapel, a big panel representing the Baptism of Christ, by the painter José de Brito. The religious order also has several painting works, such as the Resende’s portraits and several copies of Italian painters, such as Rafael, Ticiano and Caravaggio.