Central square with well-maintained flowerbeds.

The changes made by the architect Souto Moura at the former Alfândega (customs) building gave the place another aspect. This exhibition aims to allow the public to know, generally, the communication and transports contribute in these days. One of the big attractions of this museum is the permanent exhibition: “O automóvel no espaço e no tempo” (history of the car).

Temple interior with three ships. The body of the Church is covered with a tiled Ashlar seventeenth century carpet type. In a chapel and in the sacristy there are tiles from the 17th century.

The chancel is lined with 18th-century tiles illustrating scenes from the life of St. John the Baptist. Has an 18th century altarpiece and preserves 1468 panels and some ancient carvings.

Chapel built in the 18th century, which presents, in its interior, a set of stucco work lining the walls and the vault. The ashlars of tiles of the late 18th century and an image of the Virgin with child.

This temple was reconstructed on the 16th century presenting a on the main façade a doorway with manueline and renaissance decoration topped by a royal escutcheon. The inside has three naves and the central nave roof is with a wooden tunnel vault and the lateral ones are crossed. It stands out the coverage from the 16th, 17th, 18th centuries glazed tiles and a fifteen hundreds grave.

The façade of the Church is from the 18th century, featuring an undulating gable and Bell Tower. The building is crowned by Baroque fogaréus. Inside, the nave, are the blue and white 1468.

Convent founded by D. Afonso V, its current appearance is the result of the various modifications it has undergone. It has a Gothic portal, which includes bas-reliefs in a flamboyant style. The cloister mixes Gothic and Manueline elements, the pulpit is Mannerist and the altarpieces are Baroque in style. The space around the convent fence stands out, given the botanical value of its forest.