Religious architecture from the 16th century located in plaza Largo de Chafariz, surrounded by necropolis and composed by a nave, main chapel and bell tower. On the interior it can be appreciated some murals behind the altar, even though its conservation state is daily affected by the humidity. The saint is São Miguel but the inhabitants from this region are particularly devoted to Our Lady of Ajuda (Help).

This is a Benedictine Monastery with a church with a longitudinal plan composed by one only nave with altarpieces chapels and lateral chapels, a main chapel, Sacristy, monastic divisions and on the façade one bell tower. The church outline is mannerist but it presents a Baroque decorative reform. The Calvary is composed by a square platform with five steps, a parallelepiped plinth, and a flat shaft with Tuscan capital topped by a sphere and a Latin cross.

A mining complex established in the 19th century to exploit a copper-bearing pyrite mine whose deposit had been exploited in Roman and pre-Roman times. The main elements extracted during modern mining, between 1854 and 1966, were copper and sulfur. After the mine's closure, the equipment was dismantled and sold, leaving the landscape today marked by mining activity and acid drainage.

The Church of Our Lady of Dawn, or New Church, as it is also known, was built in the late 18th century. Its façade consists of three panels, and the interior, with three naves, features a ceiling decorated with a large carved wooden star. Also, noteworthy is the altarpiece in the main chapel, in neoclassical carving (1809), which features the image of Our Lady of Dawn, patron saint of Aljezur.

This is a church within the rural type in which stands out, on the main façade, the Manueline doorway in full arch framed by conic shaft. On the sides there is a shed with Tuscan columns. The inside has one only nave and it is covered with seventeen hundreds glazed tiles with scenes from Christ’s life. It is also worthy to mention the altar in baroque carving, the baptismal font and the painted ceilings.

Church of attractive façade, located on one of the main streets of Vila Viçosa, in the historic centre. Features choir, chancel, vestry and side corridor of access to the cloister. Inside part of the highlight goes to the blue and white 1468 that cover the walls. Today is place of many organisms, such as the Calipolense Philharmonic Society, the retirement living Center, Youth Association and Youth Center, among others.

This temple has Romanic origins. It was reconstructed on the 16th century and from the original church it only kept a few things. This church is related to the legend of Santarém miracle occurred in 1266 in which a host was stolen and desecrated by a parishioner from Santo Estêvão. On the main chapel it is the Sacrarium where it is kept the relic related to the Saint Miracle. The inside is plentifully ornate with seventeen hundreds iconology.

Village located about 750 meters Northwest of the village of hill near the road 308-5, in a location occupied by agricultural properties. The structures that have belonged to an ancient settlement are visible only well defined walls alignments and heaps of stones that are said to have been a small village nestled on the mountain. Oral tradition says, in relation to the abandonment of this town, that the main reason was the plague.

It probably was one of the most remarkable lordly houses from this region, in its time. In this monument we stand out its crenel towers, the gallery with ten down arches above Toscan small columns and doors and windows with frames from the fifteen hundreds. In 2001 it suffered a partial rock fall from the vast arcade from the second floor from the main façade.

Building also called Solar dos Sá Vargas, which underwent several alterations in the 20th century, the balconies were restored, the main staircase of the building removed and the windows on the upper floor placed. In 1947, a Bank of Portugal branch was installed here and, in 2001, it was acquired by the Bragança City Council. Currently, the space is occupied by the Graça de Morais Contemporary Art Center.