Its construction dates from 1614 and was built on a medieval temple that already existed. It consists of nave, Tower belfry, two sacristies and Bell Tower. Inside stands the liturgical furnishings of Mannerist and neo-Gothic type, as well as altarpieces of the chancel, also Mannerist. Highlights also include the painting of triumphal arch and chancel.

Baroque and Rococo church, dating from the 17th century. The interior is lavishly covered in baroque and rococo gilded carvings. It has a bell tower attached to the side. It features painting on the ceiling with relief engravings on wood.

Rural chapel built in the 17th century, to present the main façade with a portal surmounted by a rectangular frieze and cornice. The interior has a triumphal arch of Tuscan order and an 18th century high altar.

Mannerist and Baroque temple with longitudinal plant. Presents the Baroque national style side altarpieces and the main altarpiece is Baroque carved Johannine style.

Church with three naves, divided by arches supported by Tuscan columns with decorative paintings from the 17th century. On the ceiling of the central nave there is a painting, from the same century, of the patron saint. The vaulted chancel has an 18th-century altarpiece with twisted columns and a tabernacle with shell niches and large bare atlanteans.

A Gothic and Mannerist temple, built in the 14th century. The 17th-century tiles in the chancel, intended as the Melos family pantheon, are notable. The interior features three naves separated by pierced arches over clusters of columns.

This Romanesque-Gothic church, dating from the 13th century, is also known as the Church of Our Lady of the Assumption. Highlights include the bell tower, the ogival portico, and the rose window on the main façade.

This building with three naves has a prismatic bell ringer tower with ashlars irregular on the corners, covered by a pyramidal dome and with traces from the Manueline. The altarpiece is in golden carving with a sacrarium with a mannerist structure. It presents a mannerist doorway and on its inside it stands out the glazed tiles coverage from the 17th century and the paintings from the 17th century from Baltazer Gomes and from Josefa de Óbidos. Also, worthy to mention is D. João de Noronha tomb considered a masterpiece from the Portuguese Renaissance.