Built in 1722, the crucifix was put inside the chapel in 1732. In the XVIII the panels and lateral altars were covered in golden woodcarving and the small bell was placed. In the XIX century it suffered several repairs and, in the XX century, preservation and valorization works were made. The chapel, with characteristics of joanino (King John of Portugal time) baroque, is a polygonal chapel. Although it has an erudite outline, this exemplar shows the participation of regional masters. The covering in woodcarving and the two oil paintings from the master André Gonçalves stand out.

Building of great architectural value, whose Church dates back to the beginning of the second half of the 16th century. It consists of three naves and four sections. The chancel, pombalina, decorating is covered by a false dome and another highlight, the holy water and sinks both late-Baroque side altarpieces. The niche also late-Baroque, the sink and the tile Ashlar are worthy of appreciation. The party functioned as hospital is perpendicular to the Church, has two floors and date from the first half of the 18th century and today operates as a Museum of contemporary art.

Working composed by the church body, single nave, transept and main chapel, vestry, annex and conventual rooms. At the main chapel stands out the rococo carved retable, semicircular vault with perspective painted wood ceiling, representing Nossa Senhora do Carmo and a set of four paintings from José Rasquinho, representing the life of Santo Elias. At the Convent stands out the main façade, with three bodies, three panes delimited by pilasters, angles and ashlar mansonry cyma, with three interspaces for each floor.

Parish church dating from the 18TH century Mannerist, to present a longitudinal plan consisting of a single nave, a chancel and a rectangular Bell Tower. In the interior, especially the altarpieces of gilt to the ship with a chorus-high and to the triumphal arch back perfect with frontaleira of gilt flanked by altars. In the chancel highlight to the altar in gilt and, with regard to ceilings, highlight to the paintings of a Medallion in the center of the nave with the image of the Patron Saint and the image of St. mark in the chancel. The Bell Tower consists …

A carved stone wall with a niche where you can see a Gothic-style Nossa Senhora is what remains, in the current Cathedral, of the former church of the Dominican convent (1423). Highlight for the side chapels, one with a limestone altarpiece, from the 16th century, and another with a carved wooden altarpiece where a statue of Nossa Senhora do Rosário appears. In 1719 a new Baroque façade was built and in the mid-18th century the high choir and roof were built, and the chancel was renovated. In 1860 the bell tower was built.

Building ordered by D. Luís de Meneses, lord of Pancas and Ponte da Barca, foreiro of the Comendadeiras de Santos-o-Novo in the second half of the XVII century. In the middle of the XIX century it was sold to the judge of the high court José Pereira Palha. In 1968 the City council buys it to the Van Zeller family. It is a manor house with open yard for the carriages and the noble staircase. Inside there’s a small room decorated with rural motifs – the frescos room – dated probably from the XIX century, the chapel, the gardens and …

Founded in the 13th century by the abbot of Alcobaça, the Monastery of Santa Maria de Coz was one of the most important monastic complexes in the region and the most important monastery of the female branch of the Cistercian Order. The current building, of impressive simplicity, derives from works carried out mainly in the 17th century. The sober aspect of the exterior of the building contrasts with the Baroque interior. The church, about 50 meters long, reveals the grandeur of the old monastery and has coffered wooden ceilings, 17th-18th century tiles, and gilded altarpieces.

This street right in the limit of the area classified as world heritage, is one of the most stirred streets of Porto and was once the main access to the city. During the XVIII century it was called the Rua da Estrada or Rua Dirieta de Cedofeita. Some buildings in the street are still from that century. Today, a great part of the street is pedestrian, with Portuguese traditional stone-pavement. It is a commercial area with many shops and, on the contrary of down town, it hasn’t lost its residential characteristic. The fact that it is close to many faculties, …

The Naturrosa campsite, located in Vouzela, is situated a few kilometres from Viseu, Lafões region, surrounded by the Serra da Estrela, Caramulo, Freita and Plowed. This green space is inserted next to a quiet village, in an area where you can contact directly with the day-to-day life of a rural population, an extensive pine forest where hunting is also one of the main attractions. The environment is calm and you can cool off in the pool or in the shade of the pine forest and the vines that help you freshen up, in addition to the lounge.

The Parque de Campismo de Mirandela benefits from its excellent location, where green and the water of the three rivers (Tuela and Rabaçal, Your), providing pleasant moments of relaxation and rest. This welcoming space, where the home and quiet abound, is an excellent starting point to discover the gastronomy transmontana, the culture, the people of the Earth and all its traditions. Here all the streets are calcetados with the typical Portuguese cube and the alveoli, with huge areas, are all lawns. Highlight is the Palácio dos Távoras and the Romanesque Bridge, must-see attractions.