It was in the course of an urban reorganization process, in the late 18th century that these Steps were built by the military engineer José Álvares de Barros. Inside you can see a brutal white marble staircase and black, plus rooms with ceilings painted. The tiles from the Factory Widow Lamego representative of the battle of Montes Claros is 20TH century.

This beautiful house is placed on a street known for its characteristic architectonic harmony. Here are represented the XVII, XVIII and XIX centuries, with a nice show of the Porto’s architectonic atmosphere. On this building, the façade covered with azulejos panels from the second half of the XVII century stands out. This azulejos (tiles), made in Lisbon, describe episodes of the Holy Mary’s life.

This temple was reconstructed on the 16th century presenting a on the main façade a doorway with manueline and renaissance decoration topped by a royal escutcheon. The inside has three naves and the central nave roof is with a wooden tunnel vault and the lateral ones are crossed. It stands out the coverage from the 16th, 17th, 18th centuries glazed tiles and a fifteen hundreds grave.

This Romanesque Church testimonies were dated as being from the second half of the 13th century or even in the 14th century, while the Romanesque's testimony of resistance, or even our rural Gothic. The main portal is adorned on grounds of pearls, drawing parallels with other buildings of the same period and territory. Along the modern age suffered various transformations.

Set composed of Church and convent. The Church is from the 17th century and the 18TH century convent, although the latter has never been finished. Has two bells, a luminous Cross and a small panel of azulejos (1940) depicting the Virgin Mary. Is located in morro alto, obtaining thus a panoramic view to the outskirts of the city. Is private property.

This church possesses a Romanic doorway with simple archivolts. The façade with a pyramidal tower and spire is the outcome from following changes. It only has one nave, three lateral altars and two collaterals that show gothic and renaissance interventions. One of the chapels founded in 1596 has a decorated arch with winged heads and a niche that includes a fifteen hundreds sculpture.

The temple was built in the 13th and 14th centuries and renovated in the 18th century, still preserving its Baroque façade and two bell towers from that period. Notable features include the statuary and some paintings, the coffered ceiling with painted figures of saints, the 17th-century tiles, and the tombstones. During the third French invasion, it served as a field hospital for the English.

This church has a Romanic structure that through the time it underwent several transformations. It still maintains the corbel and two rose windows on the façades. It presents on covered porch connecting the main façade to the campanile. On the inside it has a nave and the cross arch settled on columns with worked capitals from the primitive period. It stands out the main chapel with carving altarpieces.

Built at the end of the XVII century, on the place where a chapel devoted to Santo António used to be, the Congregados church has a sober façade decorated, in the XX century, with azulejos (tiles) by Jorge Colaço. At the walls you can see mural paintings by Acácio Lino, representing scenes from Santo António life, work done in 1927.

The building conserves the lancet doors and it is surrounded by a porch. On the façade left side there is the bell ringer tower. On the inside it presents a nave wrapped in glazed tiles under the “carpet” type, from 1681 standing out, also, the remaining glazed tiles coverage that decorates the church. The Manueline main chapel possesses an ample lancet arch and crossed vault.