Set of antas where stands out the Dolmen of Fontão or Carvalhal da Dishes, with trunk-shaped Chamber of the pyramid consists of nine pillars, forming the contiguous mainstays a species of wedges. Features a Greek cross and a cross there lanceolate, vestiges of the TUMULUS. The House of the Chaveiral turn out only if conserves tumulus and a granite fragment On the tape House da Coutada only subsists the TUMULUS.

In its time, it was one of the largest Cistercian monasteries in Portugal, the grantee of vast lands around it, with the obligation to cultivate and populate them. Its construction began in 1155, shortly after the donation of the land made to the Order by Egas Moniz, assistant to D. Afonso Henriques, and his wife Teresa Afonso. It was consecrated in 1255, when the monastic complex was complete. The church, of large dimensions, stands out, imposing, in the middle of the uniform houses of the small village that was formed to the east. Between the centuries. In the 16th and …

In this manor house with 500 years of history, restored the precept, guests are faced with a huge indoor and outdoor space, with views to the gardens now prays to the Vouga River, to the Sierras of Freita, Arada, of St. Macarius and Montemuro. The six bedrooms, and spacious, are light and modernly equipped, who joins a distinct decor. Features two saltwater pools, one of them, and overflowing with superb views.

The Museum of sacred art of Grândola in St. Sebastian's Church and was inaugurated in February 2011 with the exhibition "Loci Iacobi-the Camino de Santiago and Europe", dedicated to the oldest European pilgrimage route. In this exhibition features the masterpieces from the Museo das Peregrinacións, de Compostela, the Musée Crouzatier, Le Puy, and churches and museums do Alentejo (Beja, Moura and enhancement for Santiago do Cacém).

This lovely house is situated in the middle of the protected area and surrounding the Peneda-Gerês National Park, one of the 7 natural wonders of Portugal, on the left bank of the river Cávado Caniçada-Albufeira. Both the House and the outside you can enjoy the wonderful views over the Serra do Gerês, Caniçada reservoir, the shrine of St. Benedict the open door and the Rio Caldo-Geres bridges.

Chapel situated on a small elevation, in the old Rossio das Hortas, surrounded by houses on both sides and with a front patio. Ancient records do repackage its existence to the year 1536. It was then remodelled in the 17th and 18th centuries. Inside are murals, chronicling nine moments of life of St. Peter. The paintings have a baroque nature and are subtitled in archaic Portuguese. Is located on private property.

The main church has two chapels, featuring Baroque features. It consists of a nave and a chancel, and large windows provide natural light. It also includes a sacristy and a bell tower. The main altarpiece features gilded carvings. The side facades of the main chapel are covered in Joanine white wood carvings. The side altarpiece of St. Michael has a concave plan, in the National Baroque style.

This church was built in 1737, with the houses of the fraternity of St. Peter, showing a simple architecture. In 1782 is granted a Royal provision that authorized the expansion of the Church. In 1880, the Junta Magna of the brotherhood authorizes the start of work, after approval by the Association of Architects of Lisbon. After a year start the works, having been demolished the houses of the brethren, and the job ended only in the early 20th century.

This church was a convent built in the century XIII, by order of Saint Elizabeth Queen of Portugal. The edification is composed by church, infirmary and cloister, with semi attached columns and decorated capitals. Inside the building it is worth to mention the images, the paintings, the baroque altars, the panels and tiles from the XVIII century. It is important to enhance the Chapter Room, the cloister fountain made in 1625 and St. Pedro fountain.

Commissioned in 1393 by Constable D. Nuno Álvares Pereira, on the site where his standard was raised at the Battle of Aljubarrota, the Chapel of St. George is a small building with a chancel featuring a coffered vault whose keystone depicts a pelican. The interior is simple, with notable features including the slender columns of the triumphal arch on the main altar and the symbols of King João II on the keystone of the ribbed vault.