Convent founded by D. Afonso V, its current appearance is the result of the various modifications it has undergone. It has a Gothic portal, which includes bas-reliefs in a flamboyant style. The cloister mixes Gothic and Manueline elements, the pulpit is Mannerist and the altarpieces are Baroque in style. The space around the convent fence stands out, given the botanical value of its forest.

Isolated religious monument, similar construction at the same time, in this region. The simplicity of its lines is visible. The façade includes a portal back perfect and two Windows. The light enters through Windows that are at the level of the high altar and illuminate the entire ship. Inside stands the wooden altarpiece revival of Mannerist structure. This chapel was rebuilt in 1910 and remained the most characteristic features.

Seventeenth-century chapel which originally belonged to a group of buildings of the Oratory of Saint Catherine, designed by Fr. Andrew of San Bernardino. The façade has straighter Dick portal surmounted by high window of appliance rusticated and finished in triangular pediment and a small bell. Inside, the gilded altars, a pulpit from the 17th century, and a few pieces of eighteenth-century imaginary.

Chapel dating from the 16TH century or 17TH CENTURY, with a main facade gable is terminated, at the top, with an ornate Bell with a small cross. Also features a straight Dick portal, flanked by a gap where a niche that houses a sculpture of Santa Ana, San Joaquin and our Lady Girl. Inside stands a gilded altarpiece, framed by two Solomonic columns.

Religious architecture, vernacular. Chapel of longitudinal plant simple, single space, with homogeneous coverage in fake wooden barrel vault. Main facade with the torn spans in axis composed of portal, flanked by Windows, and by small telescope. Facades topped off in cornice, the left lateral torn by door transom. Interior with reredos neoclassical chancel. Round Arch of moth 1500s.

The primitive foundation of the Church of Saint Pedro dates back to the 17th-18th centuries and has three naves with with an arch that stood on columns. Totally destroyed by the earthquake of 1755, only vestiges of the old portal on the facade remain. A special not to the high altar with a magnificent golden carved baroque retable and a painting that represents Saint Peter receiving the Heaven's Keys from Jesus.

18th century Church of longitudinal plant consists of a wide nave and a narrower chancel, a Bell Tower located near on the right and a sacristy and annexes adossados on the left. It was built in the 16th century and remodelled in the 18th century. Emphasis on the exterior door of the sacristy, 16th century; for the 17th century main portal and for stone grave cover with engraved inscriptions, 17th century.

Manueline building with Mudejar influences, designed by Diogo Arruda. The church features a wide nave with a small apse flanked by two apsidioles. The main façade features a wide Manueline portal and a small openwork window with a round arch. It is decorated with 18th-century murals. Inside, the church is structured in three naves of five bays, with the apse almost embedded in the wall.

This Romanesque church was founded in the 12th century. It is also known as the Church of Our Lady of the Conception or the Church of the Acronyms due to its extraordinary carving of signs, or stonemason marks. The granite façade features a pointed arch portal with sculpted capitals. The interior has a single nave covered with a Hispano-Arabic ceiling. It is the only temple of the Premonstratensian (Augustinian) order in Portugal.

Located in a hermitage near Castelo Branco, this late-Gothic church was built by friars of the Order of the Temple. The entrance portal and the two lateral ones are ogival, while the interior features different tiles, of Hispano-Arabic origin, and records of frescoes. It comprises a single nave and an apsidal chapel, having been the subject of major works between the 17th and 19th centuries.