Late-Baroque religious monument, comprising a nave, chancel, sacristy, bell tower and 17th century chapel. The bell tower and the finishes on the main facade are made of granite and, in the center, is the clock. The interior preserves a remarkable collection that it consecrates: the painting on the chancel ceiling, with the patron saint being tortured, and the Morgado chapel, where there is a Mannerist altarpiece.

The Church has a large and long alameda in front of main facade and surrounded by the wall of the cemetery of the parish and of two typical houses, an 18th century building (now the parish hall), and other recent (now residence of the parish priest). It is a building with dimensions much higher than those of other parish churches of the surrounding rural parishes.

Building dating from the 18th century, the present main ground floor facade arches of Ashlar and, upstairs, tile flooring in the 19th century. At the top, are the Royal Arms and the middle of the building, rises the clock tower. This construction marks the urban reform held by the Corregidor and purveyor of the District of Porto, Francisco de Almada e Mendonça.

Small lighthouse tower, with a hexagonal drawing, two floors and 5m height. The access to the first floor, the main one, where the warning lights were sent to navigation, is done through a small, steep stone stairs on the outside, with iron defences. It is also called Farol da Luz or Farol da Senhora da Luz.

This church belongs to the sanctuary with the same name. The church which nowadays is visible on this avenue replaced a chapel constructed in 1737. Among many features, it is worthy to mention the glazed tiles, from the end of the 18th century, decorating the walls; the two marble altars in several shades, the connection between the nave until the main chapel, and the altarpiece.

A temple with Baroque features founded in 1740, during the reign of King John V. The interior has a single nave covered by a frescoed ceiling and eighteenth-century tile panels covering the walls. The left wing of the main chapel leads to the former chapel of Our Lady of Mercy, a sixteenth-century building that became the church's chapel.

The palace, built on the site of the former Fort of Our Lady of the Conception, was acquired in 1868 by the Dukes of Palmela with the intention of constructing a summer residence there. The project is by the English architect Thomas Henry Wyatt. This building, of English revivalist architecture, is clad in stonework. On the main façade, above the door, the Coat of Arms of the Duchess of Palmela's family can be seen.

An 18th-century palace with a façade bordered by two turrets and an entrance surmounted by a pediment rising above the cornice. The rhythm of the openings, wrought iron, stonework, and chapel are remarkable. The central section ends in a triangular gable with a coat of arms, and the rest of the façade features simple rectangular openings on the ground floor and bay windows on the main floor.

Temple built in the 13th century, it was completely rebuilt in the 15th century and remodeled in the 16th and 17th centuries. The facade, flanked by a bell tower, consists of a portico with a pediment surmounted by the Maltese Cross. Noteworthy are the 18th century tiles, the 17th century carvings, the 15th and 16th century statuary and the 16th century decoration on the exterior of the main chapel.

This is the main portal of the convent of Santa Clara, with Classicist traits admirable. In the pediment can be seen the figure of Santa Clara. While convent, was dumped in 1836, when it was built the Passeio Público and settled the Government offices at the left of the Convent. Today is occupied by the Social and Cultural Centre of the parish of Pinhel and houses the São Luiz movie theater.