Romanesque-Gothic building dating from the 13th century. It features gargoyles on the side facades and an ogival portal on the front, surmounted by a rose window. The interior has a single nave, with the chancel covered by a coffered vault formed by three Gothic arches. The chapel's side columns have sculpted capitals with zoomorphic, anthropomorphic, and phytomorphic decorations.

Although its foundation dating from medieval times, in the 16th century, was completely rebuilt. Of the primitive building remains, only, the Gothic bell, the polychrome image of our Lady of Rocamador, 14TH century and a sepulchral slab. In the early 16th century are visible the sink of holy water and a footer of Mudejar tiles, geometric star and enameled.

This is one of the rock art sites in the Valley of the Coa, forming a rare set of this type of art, essentially composed of stone engravings dated from the Upper Paleolithic. This core consists of a natural shelter under rock, where we find anthropomorphous motifs very delicate schematics and blemishes that do not define figures painted in red.

Consists of two distinct parts: the Casa de Cima or Casa do Arco, and the Casa de Baixo or Casa da Torre. The Palácio de Sub-Ripas has a magnificent Manueline portal dating from the first half of the sixteenth century. The branch also notable for dozens of bas-reliefs bearing exterior walls.

Property formerly known as Great Couple, just passing the current description in the 18th century. Suffered damage with the earthquake of 1755 and later recovered. Emphasis on the walls that surround the Palace, lined the tiles dating from the 18th century. Currently, works here the Marques de Pombal Foundation and, in their gardens, there are occasionally some concerts and exhibitions.

The originally built Gothic temple dates back to the 16th century. In the 16th century, construction of the current temple began by Sir Teotónio de Bragança. It underwent several modifications over the centuries, with the last restoration being carried out in the 60s of the 20th century. A highlight is the large dimensions of the temple, out of step with the scale of the village.

Likely settlement dating back to the Bronze age or the iron age, with wide visibility and easy defense. It is located down upon the albufeira de Paradela and northwest side of the village of Sirvozelo. In the North and East wide platforms are identified, where there seem to be traces of structures. Potsherds have been found prehistoric, tastefully unrefined, incisa.

Trestle bridge with a pointed arch built in masonry of irregular granite and dated from medieval times (XIII-XIV centuries). It lies in the ancient "via veteris," main connection from the port at the mouth of the river Ave. is believed to have Roman origin, despite only being documented from 1258, and their typology to be a medieval bridge.

Downtown Porto, with streets almost entirely dedicated to commerce, is an authentic open-air shopping center. The center of all this excitement is Rua de Santa Catarina, every day invaded by a sea of people, looking for something to buy or just to walk around. It is in Baixa (Downtown) that you can also find the oldest and most typical cafés and pastry shops in Porto, which were once the scene of lively gatherings. Café Majestic, Confeitaria Ateneia and Café A Brasileira are a good example. With the day almost over and the shops closed, the entertainment moves to the theaters …

This church is characterized by the main facade torn by a large portal, Windows, glasses and a quadrilobados niche concheado. Still show traces of the former convent of Benedictine nuns. This 19th century building. XVII, with baroque features in its interior, it has a façade with an embossed coat-of-arms and a niche with sculpture in Ançã stone, our Lady of grace. Inside, the ship's coverage with decorative painting in the neoclassical style, the chancel with 32 hagiographic themed caissons, with leading Apostles, martyrs, virgins, founders of religious orders, the Virgin and the respective parents. Deserves a closer look at the …