O espaço da Adega dos Frades surge como se fosse uma extensão do Mosteiro da Batalha, a poucos metros de distância. Uma homenagem a uma das salas mais importantes do monumento, o claustro D. João I, como se fosse um local onde os frades trocassem as orações pelas refeições. A cozinha cuidada incorpora surpresas como a pasta de chícharo (uma leguminosa recentemente reabilitada pela região), a entremeada recheada de enchidos, o risotto de cogumelos selvagens ou o duo de cabrito e borrego com risotto de favas.

In the heart of the town, in a large square, stands this imposing medieval castle, with a quadrangular plan and protected by cylindrical cubes, crowned with battlements, Gothic portals and a tall square keep. This, around 44 meters high, has a hall with a barrel-vaulted ceiling. At the entrance to the fortress, an armored marble tombstone inscribes the record of the castle's foundation, in 1359, by King Pedro I. At that time it was constituted as a defensive articulation with Estremoz, Fronteira, Évora Monte, Avis, Alter Pedroso, Marvão and Portalegre. King João I, Master of Avis, made Nuno Álvares Pereira …

Four-pointed bastioned fortress with medieval-type walls and a redan. The ruins of the medieval fortification are visible in the central area, isolated walls or with structures attached to them for the construction of artillery platforms. As examples of ruins of modern fortification, there are four redan with a guardhouse and traces of chimneys and niches. The fort's door mantains the portcullises of the drawbridge, and there is a cistern right in the center of the fortification. Some sections of the wall and from the barbican are monumentally beautiful. The first fortress dates back to the reign of King Afonso Henriques, …

Although founded in 1594, it was only in 1690 that stood the current building, with the earthquake of 1755 did collapse at the dome ship, later reconstructed. Simple architecture, the temple was built according to the typology national tea, preceeded by a staircase of various heights with a decorative fountain. Inside, nave, chancel covered by a vault in caissons, and the main altarpiece, a good example of Baroque season d. Pedro II. Part of the estate of the Church two beautiful sculptures, a 15th-century Ançã stone represents a Holy Bishop, and the other, of wood, represents a Lady of sorrows …

Monastery founded in the 12th century by D. Soeiro and his companions, initially obedient to the Rule of S. Bento. Initially it was used as a male monastery of the Order of Cistercians. The favor of the people and the patronage of the kings who, to their protection, made it a Royal Monastery, brought the growth of the house and its assets. The following parts stand out in its architecture: the medieval tower built between the 12th and 15th centuries with its three floors of cellar and granary, today relatively well-preserved; the monastic buildings from the 18th century that had, …

The castle walls remain, two doors (of the village and the Santarém) and some towers. The old Palace is a monumental residential tower of the 15th century. Plant composed of rectangular main body and two turrets inserted on the wall of the village. The curtain wall that unites the turrets, crowned by way of round, is torn by arched door broken abroad, down inside. Without cover, are visible in the interior, where Corbels supporting the beams of the floors and ceilings. Still inside the enclosure, there is a large cistern. The Muslim Castle would have been conquered by the King …

Ordered to build by d. Mafalda, daughter of King Sancho I in the 13th century, the Church of the Savior of Gândara (as was previously known) is, according to various experts, a modest copy of the Church of Cedofeita, Porto, in particular at the level of decoration, which attests to the roaming of the Romanesque artists in this region of the country. From the 17TH century, this Church also begins to be known as Santa head, due to a skull kept in silver reliquary and exposed in altar, said to belong to a single unknown, and which assigns followed qualities. …

Anyone entering Salto and heading towards the town center will be struck by the imposing ecclesiastical image located at the top of Rua Padre Manuel José Jorge, on a granite parallel. This is Salto's old main church, perhaps the town's most iconic landmark. It's a romantically designed building that has undergone several structural renovations over time. On the north and south walls of the nave, glimpses of the perfect overlapping of the stones can be seen. Toward the rear of the church, aligned along the edge of the landscaped and well-kept churchyard, are four tombstones covered with lids, each decorated …

It lies between the Douro River to the north and the Paiva River to the south, bordering the city of Lamego. The highest point of the mountain range is called Montemuro, at 1,381 meters above sea level. The entire mountain range is quite steep and steep on practically all sides. The mountain range is populated up to approximately 1,100 meters above sea level, with villages scattered throughout, but almost always near watercourses. The Varosa River (which separates it from the Leomil Mountains) and the Balsemão River originate in this range. The Paiva River separates it from the Arada Mountains. It …

Built in the 18th century, with designs by Nicolau Nasoni, the Casa de Mateus is a landmark of Portuguese Baroque. The chapel, on the other hand, was designed by the master José Álvaro Rego. Established in 1970 by D. Francisco de Sousa Botelho de Albuquerque, its objectives are the preservation of the house, the study of its archives, and the promotion of cultural, scientific, and educational activities. The activities developed by this foundation are mainly linked to literature and music. The gardens found here are extremely well-preserved and of rare beauty. In the museum itself, you can see 2000 parchments …