The Godmother's House complex consists of three buildings located in the village of Northeast: the Godmother's House itself, the Home of the fireplace and the grandparents ' House. The first two are located on the main road, right at the entrance of the village, and are recognizable by the unique trait of their typical architecture. The grandparents ' House is located within the town and is the only one with two rooms to offer.

A 16th century chapel, consisting of nave, chancel and vestry and Bell and is the only building that remains of the Village of Eagles. Its construction follows the typology of hermitages and chapels centered in the region and the Muslim tubs, which were subsequently adding porches or nárteces. We highlight the main altarpiece in the interior, with modern traits of the late 18th century.

Church built at the end of the 16th century and remodeled in the 17th century, with a plan consisting of a single nave, a rectangular chancel, a sacristy and a support area. The main facade is made up of three bodies, the side ones being the bell tower and the clock tower. Inside, the nave with five segments and the ceiling with coffered vaults stands out.

Late-Baroque religious monument, comprising a nave, chancel, sacristy, bell tower and 17th century chapel. The bell tower and the finishes on the main facade are made of granite and, in the center, is the clock. The interior preserves a remarkable collection that it consecrates: the painting on the chancel ceiling, with the patron saint being tortured, and the Morgado chapel, where there is a Mannerist altarpiece.

The Church has a large and long alameda in front of main facade and surrounded by the wall of the cemetery of the parish and of two typical houses, an 18th century building (now the parish hall), and other recent (now residence of the parish priest). It is a building with dimensions much higher than those of other parish churches of the surrounding rural parishes.

Building dating from the 18th century, the present main ground floor facade arches of Ashlar and, upstairs, tile flooring in the 19th century. At the top, are the Royal Arms and the middle of the building, rises the clock tower. This construction marks the urban reform held by the Corregidor and purveyor of the District of Porto, Francisco de Almada e Mendonça.

This church belongs to the sanctuary with the same name. The church which nowadays is visible on this avenue replaced a chapel constructed in 1737. Among many features, it is worthy to mention the glazed tiles, from the end of the 18th century, decorating the walls; the two marble altars in several shades, the connection between the nave until the main chapel, and the altarpiece.

A temple with Baroque features founded in 1740, during the reign of King John V. The interior has a single nave covered by a frescoed ceiling and eighteenth-century tile panels covering the walls. The left wing of the main chapel leads to the former chapel of Our Lady of Mercy, a sixteenth-century building that became the church's chapel.

An 18th-century palace with a façade bordered by two turrets and an entrance surmounted by a pediment rising above the cornice. The rhythm of the openings, wrought iron, stonework, and chapel are remarkable. The central section ends in a triangular gable with a coat of arms, and the rest of the façade features simple rectangular openings on the ground floor and bay windows on the main floor.

Temple built in the 13th century, it was completely rebuilt in the 15th century and remodeled in the 16th and 17th centuries. The facade, flanked by a bell tower, consists of a portico with a pediment surmounted by the Maltese Cross. Noteworthy are the 18th century tiles, the 17th century carvings, the 15th and 16th century statuary and the 16th century decoration on the exterior of the main chapel.