Small church situated in the locality of the same name, about 3 kilometers from Reguengos de Monsaraz. The first reference to this 16th century Church dates back to 1326. Was being constructed over the centuries, although the earthquake of 1755 may have caused some damage. Was recovered in 1998.

A medieval church with a single nave and Gothic inscriptions. The founding of this church is linked to Queen Saint Isabel. The walls of the nave and the triumphal arch are covered in 17th-century tiles, and those of the chancel are checkered. Highlights include the pulpit, dating from 1544, the 16th-century paintings, and the 17th-century altarpiece.

Founded in 1267, the temple has undergone significant modifications over the centuries. From the original church, only the apse of the main chapel remains. It features a 17th-century façade and a Baroque portico flanked by angels. The interior has three naves, and the 18th-century side altars are made of marble.

This is one of the rock art sites in the Valley of the Coa, forming a rare set of this type of art, essentially composed of stone engravings dated from the Upper Paleolithic. This core consists of two shale rocks. In its vertical panels there are figures representing Zoomorphic motifs etched, identified as cattle and capríneos.

The primitive temple was built in 1626. In 1644 it served as a refuge for the population during the Castilian offensive, and was then destroyed. Rebuilt in 1683, it was damaged again during the War of Succession. In 1733 it went from a structure with three naves to a single nave. The church, overlooking the village, has a facade with a niche and the bell tower.

This is a Romanic building from the 12th century, with rectangular nave and apse. The main chapel is vaulted with worked capitals and the triumphal arch has three archivolts framed by an involving arch decorated with geometric motifs. The doorway with three rounded archivolts presents a low relief on tympanum appearing Santo Agostinho.

Temple built in the 16th century, where the valuable contents stand out. Inside, the Chapel of Nosso Senhor dos Mareantes is worth mentioning, with carvings and imagery from the 16th and 17th centuries, some panels illustrating episodes of the Passion of Christ and, in the vault, polychrome relief representations of a popular nature.

Built on the 16th century this pillory was reconstructed in 2001. It has a square platform with three steps. Here lays a square plinth from where a prismatic shaft comes out finished by a small octave ring. The capital is prismatic and octagonal and delimited by concave frames on the base and top and crowned by a pyramid.

This is a Manueline pillory in which its octagonal shaft has a flat surface dating its original construction from the 16th century. In 1951 it was reconstructed on the Museum yard using some elements that used to be part of the original one: the base, part of the shaft and the capital. In 1983 it was displaced to the present place.

This cage pillory was reconstructed from fragments. It consists of three steps supported by a baseless, prismatic shaft with eight smooth faces. The top is an open cage with eight low columns resting on an octagonal bowl. The roof is a polygonal dome crowned by a circular molding and two stepped spheres, superimposed as a pinnacle.