The museum is housed in a building representative of late 19th-century bourgeois architecture. The exhibits include a display of traditional Algarve costumes from the 19th and 20th centuries and a collection of popular religious sculptures. Around twenty antique Algarve vehicles are on display on the farm's premises. There is also an exhibition of harnesses and agricultural implements and an area dedicated to cork.

Opened in October, 14th, 1897, the Carlos Alberto Theatre has been an evidence of the agitated quick passing years, namely the 20ies. In February, 1979, the theatre became a multifaceted playhouse. From that date on, the Carlos Alberto National Auditorium has received different artistic areas shows: cinema, theatre, music, ballet and opera.

This House was built in 1917 and worked here so's only hotel-Hotel Club Baleal beach. While remaining within the same family, has become a Guest House, with views of the sea and the Ilha das Berlengas. The environment is familiar, apart from being a great place not only to relax, but also to practice water sports.

Situated a few kilometres from the Centre of the village, near the Bullring and the Capuchos convent. This Chapel is located in a typical housing zone and consists of landscaped foyer, chancel and vestry. It was remodelled in the 15th century and 18TH century, part of the nave was demolished, a fact which reduced the Chapel to the chancel and sacristy; the body of the Church was transformed into landscaped foyer.

Imposing statue of King d. João IV Restorer, built in bronze by sculptor Francisco Franco Funchal. The granite pedestal is designed by the architect Pardal Monteiro. The symbolism of the horse is related to the belief that it was in this stylish animal that d. João IV will have done the course in Lisbon from the Royal Palace to the Cathedral on the day of its acclaim.

Romanesque-Gothic building dating from the 13th century. It features gargoyles on the side facades and an ogival portal on the front, surmounted by a rose window. The interior has a single nave, with the chancel covered by a coffered vault formed by three Gothic arches. The chapel's side columns have sculpted capitals with zoomorphic, anthropomorphic, and phytomorphic decorations.

Although its foundation dating from medieval times, in the 16th century, was completely rebuilt. Of the primitive building remains, only, the Gothic bell, the polychrome image of our Lady of Rocamador, 14TH century and a sepulchral slab. In the early 16th century are visible the sink of holy water and a footer of Mudejar tiles, geometric star and enameled.

Traces of rock Mills, located in place of Santa Marinha. The mills are cave dug into the rock structures consisting of a sink for pisa (or calcatorium), outflow channels of liquids extracted from pisa and, in some cases, the pious (or lacus) and post holes that withstood the structure for pressing (or stipites). Had grape processing function, i.e. the production of wine.

This is one of the rock art sites in the Valley of the Coa, forming a rare set of this type of art, essentially composed of stone engravings dated from the Upper Paleolithic. This core consists of a natural shelter under rock, where we find anthropomorphous motifs very delicate schematics and blemishes that do not define figures painted in red.

Consists of two distinct parts: the Casa de Cima or Casa do Arco, and the Casa de Baixo or Casa da Torre. The Palácio de Sub-Ripas has a magnificent Manueline portal dating from the first half of the sixteenth century. The branch also notable for dozens of bas-reliefs bearing exterior walls.